{"title":"New Release","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eRecords released in the last five weeks.\u003c\/p\u003e","products":[{"product_id":"outkast-big-boi-and-dre-present-outkast-2lp-purple-marble","title":"OutKast - Big Boi and Dre Present... OutKast [2LP Purple Marble]","description":"\u003cp\u003eSeven years of Atlanta brilliance in a single sitting: Big Boi and Dre Present... OutKast arrives on purple marble 2LP, the duo's only compilation.\u003c\/p\u003e\u003cp\u003eReleased in 2001, while Stankonia was still riding high, the set traces André 3000 and Big Boi from the Organized Noize-produced funk of Southernplayalisticadillacmuzik through ATLiens and Aquemini to their chart-topping peak. Several older tracks appear in versions that differ from the original album cuts, and three new songs were recorded for the occasion.\u003c\/p\u003e\u003cp\u003e\"Ms. Jackson\" still aches beneath its bounce, an apology wrapped in one of the most recognisable hooks of its era, \"B.O.B. (Bombs Over Baghdad)\" remains a breakneck rush of drum and bass energy and gospel fervour, and \"Rosa Parks\" stomps and claps its way to a harmonica breakdown.\u003c\/p\u003e\u003cp\u003eOf the new material, \"The Whole World\", featuring Killer Mike, became the standout, going on to win the Grammy for Best Rap Performance by a Duo or Group. Two more new songs, featuring Sleepy Brown and Joi, round out a set that works as a victory lap and a primer in equal measure.\u003c\/p\u003e\u003cp\u003eAcross 16 tracks the range is staggering, from smoky Southern soul to wild-eyed futurism, and the purple marble vinyl gives it the flamboyant presentation these two always deserved.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57097763062065,"sku":"199584131818","price":31.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/OutKast-Big_Boi_and_Dre_Present..._OutKast_2LP_Purple_Marble.jpg?v=1792935106"},{"product_id":"outkast-idlewild-2lp-pink-marble","title":"OutKast - Idlewild [2LP Pink Marble]","description":"\u003cp\u003ePink marble swirls suit Idlewild nicely, since OutKast's final studio album is a dressed-up, Prohibition-era fantasy spread across two LPs.\u003c\/p\u003e\u003cp\u003eReleased in 2006 alongside the musical film of the same name, a 1930s Georgia tale starring André 3000 and Big Boi, the record swaps the Atlanta futurism of Stankonia and Speakerboxxx\/The Love Below for hot jazz, swing, jump blues and Delta grit, all filtered through hip-hop. It plays partly as a soundtrack and partly as a farewell, with the duo's diverging instincts on full display.\u003c\/p\u003e\u003cp\u003e\"Mighty 'O'\" updates Cab Calloway's call-and-response for a new century, and \"Morris Brown\", named for the Atlanta college, struts on marching-band brass with Scar and Sleepy Brown on the hooks. André strums and croons through \"Idlewild Blue (Don'tchu Worry 'Bout Me)\" like a ragged Delta bluesman, one of the album's loveliest left turns. Throughout, the production mixes vintage swing with modern low end, so it never feels like a costume.\u003c\/p\u003e\u003cp\u003eThe guest list adds to the feel of a sprawling variety show, with Janelle Monáe, Macy Gray, Snoop Dogg, Lil Wayne and Killer Mike all checking in between the interludes and skits.\u003c\/p\u003e\u003cp\u003eAs a swan song it is gloriously unwilling to play safe, and the double LP gives its sprawling running order, interludes and all, the room it needs.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57097769845041,"sku":"199584599915","price":37.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/OutKast-Idlewild_2LP_Pink_Marble.jpg?v=1792932557"},{"product_id":"uicideboy-stop-staring-at-the-shadows-purple-black-marble","title":"$uicideboy$ - Stop Staring at the Shadows [Purple \u0026 Black Marble]","description":"\u003cp\u003eFew rap duos make despair sound this magnetic, and Stop Staring at the Shadows finds $uicideboy$ at their most unguarded, coming soon on purple and black marble vinyl.\u003c\/p\u003e\u003cp\u003eReleased in 2020 on their own G59 Records, the project landed between I Want to Die in New Orleans and Long Term Effects of Suffering. Cousins Ruby da Cherry and Scrim have never sugar-coated their struggles with depression and addiction, and here those themes come through with unusual clarity, closer to confession than provocation. It is the sound of two artists trying to make sense of the wreckage while still standing in it.\u003c\/p\u003e\u003cp\u003eBuilt on trap drums and murky, Memphis-flavored atmosphere, the record swings between hushed melancholy and snarling aggression, from opener All Dogs Go to Heaven through I Wanna Be Romanticized and Putrid Pride. The closer, ...And to Those I Love, Thanks for Sticking Around, is the emotional centerpiece, produced by Scrim under his Budd Dwyer alias, and it went on to become one of the duo's most-streamed songs.\u003c\/p\u003e\u003cp\u003eFor a fanbase that treats these records as lifelines, this marbled pressing will be a striking way to hold onto one of their most honest releases once it arrives, and a handsome companion to the rest of the G59 shelf.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57097785639217,"sku":"199066058640","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/uicideboy-Stop_Staring_at_the_Shadows_Purple_Black_Marble.jpg?v=1792935328"},{"product_id":"miles-davis-relaxin-with-the-miles-davis-quintet-original-jazz-classics-series","title":"Miles Davis - Relaxin' With The Miles Davis Quintet (Original Jazz Classics Series)","description":"\u003cp\u003eRelaxin' With The Miles Davis Quintet catches one of jazz's greatest bands completely at ease, and this 180-gram Original Jazz Classics Series edition brings it back to the turntable.\u003c\/p\u003e\u003cp\u003eIn 1956 Miles still owed Prestige several albums before he could move to Columbia, so he took his working quintet into Rudy Van Gelder's studio and cut tune after tune as if playing a club set. Those two marathon sessions produced four classic records, and Relaxin', first issued in 1958, may be the most intimate of the lot. John Coltrane, Red Garland, Paul Chambers and Philly Joe Jones were already a telepathic unit.\u003c\/p\u003e\u003cp\u003e\"If I Were a Bell\" opens with a little studio chatter before Garland's chiming introduction and Miles' muted trumpet glide in, cool and conversational. \"Oleo\" moves at a brisk clip, with Coltrane's searching tenor pushing hard against the beat, while \"It Could Happen to You\" is all easy swing and crisp ensemble work.\u003c\/p\u003e\u003cp\u003eThe ballad \"You're My Everything\" shows why Miles was the master of space, letting one held note do the work of a whole paragraph.\u003c\/p\u003e\u003cp\u003eWith a band this locked in, six tracks feel like a complete night out. It is the kind of record that turns a living room into a smoky club, and it rewards every return visit.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57107583435057,"sku":"888072735668","price":42.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Miles_Davis-Relaxin_With_The_Miles_Davis_Quintet_Original_Jazz_Classics_Series.jpg?v=1792934453"},{"product_id":"bob-dylan-bob-dylan-at-budokan-2lp","title":"Bob Dylan - Bob Dylan at Budokan [2LP]","description":"\u003cp\u003eBob Dylan at Budokan is the most surprising live album in his catalogue, and this 2LP reissue is set to put those 1978 Tokyo shows back on the shelf.\u003c\/p\u003e\u003cp\u003eRecorded over two nights at the Nippon Budokan Hall during his 1978 world tour, it was first issued only in Japan, then released internationally once demand for imported copies became impossible to ignore. Producer Don DeVito captured a big, brassy touring band, many of whom had just played on Street-Legal, complete with saxophone, violin and a trio of backing singers.\u003c\/p\u003e\u003cp\u003eThe real thrill is hearing the classics turned inside out. \"Don't Think Twice, It's All Right\" becomes a lilting reggae shuffle, and staples such as \"Ballad of a Thin Man\" and \"Like a Rolling Stone\" arrive in big, brassy new arrangements. By the time \"Forever Young\" arrives near the end, the reinvention feels complete.\u003c\/p\u003e\u003cp\u003eCritics in the US were sniffy at the time, but the album still reached the upper end of the charts on both sides of the Atlantic and has since built a devoted cult following. Heard today, it plays as a fascinating snapshot of Dylan rewriting his own songbook in real time, with a band ready to follow him anywhere.\u003c\/p\u003e\u003cp\u003eFor collectors who like their Dylan unexpected, this one belongs right next to the Rolling Thunder recordings.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57107585237297,"sku":"198029984118","price":35.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Bob_Dylan-Bob_Dylan_at_Budokan_2LP.jpg?v=1792934472"},{"product_id":"miles-davis-amandla-rhino-reserve","title":"Miles Davis - Amandla (Rhino Reserve)","description":"\u003cp\u003eAmandla caps Miles Davis' late-1980s partnership with Marcus Miller in style, and this Rhino Reserve edition returns the 1989 album to the turntable.\u003c\/p\u003e\u003cp\u003eFollowing Tutu and the Siesta soundtrack, Amandla leaned further into the sound of his working band of the period, blending programmed grooves with live players such as alto saxophonist Kenny Garrett. The title is a Zulu and Xhosa word for power, a rallying cry of the anti-apartheid movement, and the record carries a warm, outward-looking sense of rhythm to match.\u003c\/p\u003e\u003cp\u003eOpener \"Catembe\" sets a bright, rhythm-first tone, and \"Big Time\" and \"Hannibal\" show how naturally Miles' muted trumpet sits over Miller's layered grooves, while \"Mr. Pastorius\" is a tender ballad tribute to the late bassist Jaco Pastorius that ranks among the loveliest things he recorded in his final years.\u003c\/p\u003e\u003cp\u003eMiller wrote and produced much of the album, and his gift for melody keeps the electronics feeling human. Miles, meanwhile, plays with the economy of a man who no longer needs to prove anything, every phrase placed with care.\u003c\/p\u003e\u003cp\u003eLong underrated next to his 1950s and 1960s landmarks, Amandla deserves a fresh hearing. It is the sound of an icon still chasing new ideas, and it sits beautifully alongside Tutu on any shelf.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57107590676785,"sku":"603497804436","price":35.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Miles_Davis-Amandla_Rhino_Reserve.jpg?v=1792934478"},{"product_id":"nofx-wolves-in-wolves-clothing-yellow","title":"NOFX - Wolves in Wolves' Clothing [Yellow]","description":"\u003cp\u003eWolves in Wolves' Clothing is NOFX at their snottiest and sharpest, a 2006 blast of political punk pressed here on yellow vinyl.\u003c\/p\u003e\u003cp\u003eThe band's tenth studio album landed in the thick of the Bush years, and Fat Mike had plenty to get off his chest. Produced by Bill Stevenson, Jason Livermore and Fat Mike himself, it was their longest studio album to that point, though most of the songs still race past in under three minutes.\u003c\/p\u003e\u003cp\u003e\"Seeing Double at the Triple Rock\" is a hook-loaded love letter to a favourite punk bar, as catchy as anything in their catalogue. \"Leaving Jesusland\" aims its sarcasm squarely at the religious right, and \"Cantado en Español\" does exactly what the title promises, delivered at full tilt.\u003c\/p\u003e\u003cp\u003eThe playing is tight and melodic, with buzzsaw guitars and whiplash tempo changes, while the band's trademark sarcasm finds fresh targets at every turn. The title track keeps things short and gleefully unfriendly, done and dusted in under two minutes.\u003c\/p\u003e\u003cp\u003eTwo decades on, it holds up as one of the strongest records of the band's later years and a reminder that skate punk could still have teeth. On bright yellow wax, it makes a loud addition to any punk shelf.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57107607814449,"sku":"751097036112","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/NOFX-Wolves_in_Wolves_Clothing_Yellow.jpg?v=1792935228"},{"product_id":"charli-xcx-sucker","title":"Charli XCX - Sucker","description":"\u003cp\u003eWith Sucker, Charli XCX swapped polite pop for punk attitude and buzzing guitars, and this 140 gram reissue brings her loudest, rowdiest record back to the turntable.\u003c\/p\u003e\u003cp\u003eReleased in 2014, her second studio album arrived riding the success of Boom Clap, the bright, swooning single from The Fault in Our Stars soundtrack that introduced her to a much wider audience. Rather than chase that sweetness for a whole record, Charli went snotty and fast, leaning into garage-rock riffs and shouted hooks with a cheerful disregard for good manners.\u003c\/p\u003e\u003cp\u003eThe title track Sucker opens the album with a gleeful sneer at anyone who ever doubted her, and it sets the tone for everything that follows. Break the Rules is a shout-along anthem for skipping class and staying out far too late, while Doing It, with Rita Ora, adds a glossy synth-pop strut. Boom Clap still sounds like pure, heart-on-sleeve joy, a reminder that she could write a classic chorus in her sleep.\u003c\/p\u003e\u003cp\u003eSucker sits at a fascinating crossroads in Charli's catalogue, the last full album before she swerved into the experimental work of Vroom Vroom and Pop 2. Hearing it now, the attitude that would define her later eras is already fully formed, and it is turned up very loud indeed.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57107615088945,"sku":"5026854927909","price":33.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Charli_XCX-Sucker.jpg?v=1792934548"},{"product_id":"charli-xcx-pop-2","title":"Charli XCX - Pop 2","description":"\u003cp\u003ePop 2 is the mixtape where Charli XCX stopped playing by major-label rules and pointed pop music somewhere far stranger, reissued on 140 gram vinyl.\u003c\/p\u003e\u003cp\u003eReleased in 2017, only months after Number 1 Angel, it was executive produced by A. G. Cook and built around warped Auto-Tune, metallic synths and melodies that splinter and reassemble mid-song. At the time it felt like a left turn from a pop star with hits to her name. In hindsight, it reads like a blueprint for the hyperpop wave that followed.\u003c\/p\u003e\u003cp\u003eThe guest list doubles as a who's who of pop's adventurous fringe, from Carly Rae Jepsen and Caroline Polachek to Kim Petras, Tove Lo and MØ. Backseat, with Jepsen, opens the tape on a glowing, wistful note, and Out of My Head brings in Tove Lo and ALMA for a sugar-rush singalong. Unlock It, with Kim Petras and Jay Park, later found a second life online, while Track 10 closes things with a sprawling, glitch-heavy finale that pulls the whole tape apart and stitches it back together.\u003c\/p\u003e\u003cp\u003ePop 2 laid the groundwork for how i'm feeling now and, eventually, brat. On vinyl it sounds as fearless as ever, proof that the future of pop was hiding in plain sight on a mixtape.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57107621478705,"sku":"5026854927961","price":33.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Charli_XCX-Pop_2.jpg?v=1792934566"},{"product_id":"greta-van-fleet-palace-for-the-people-2lp-smoke-marble","title":"Greta Van Fleet - Palace for the People [2LP Smoke Marble]","description":"\u003cp\u003eGreta Van Fleet open a new chapter with Palace for the People, presented as a limited smoke marble 2LP in a gatefold jacket with a booklet.\u003c\/p\u003e\u003cp\u003eReleased in 2026, the band's fourth studio album was co-produced with Mike Elizondo, whose credits run from Eminem to Fiona Apple and Turnstile, and recorded in Tennessee that spring. The band worked through unfinished demos alongside brand-new material, with no touring or press pulling them away. The title nods to London's Alexandra Palace, first conceived as a public gathering place known as the Palace of the People, and the idea of music as a shared refuge runs through the record.\u003c\/p\u003e\u003cp\u003eJake Kiszka has called it a rock and roll record at its core, but a very modern one, and that balance shapes everything here. Saw You Stand, the first single, is a big-hearted ballad built to showcase Josh's soaring voice, while Tear It Down followed as the next taste of the album. Into the Beginning opens the record and sets the scene for songs about humanity, connection and resilience.\u003c\/p\u003e\u003cp\u003eIt feels like the work of a band that has grown up without losing its sense of wonder. For fans who have followed them from Anthem of the Peaceful Army through Starcatcher, it is a confident next step.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57107633832241,"sku":"881061081364","price":57.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Greta_Van_Fleet-Palace_for_the_People_2LP_Smoke_Marble.jpg?v=1792935342"},{"product_id":"charli-xcx-number-1-angel","title":"Charli XCX - Number 1 Angel","description":"\u003cp\u003eCharli XCX's Number 1 Angel returns as a 140-gram reissue, putting the 2017 mixtape where her restless, club-wired pop really started to sprint back on the turntable.\u003c\/p\u003e\u003cp\u003eArriving months before Pop 2, the tape skipped the slow build of a traditional album campaign for something quicker and looser. Heard now, it plays like an early sketch of the hyperactive, guest-packed pop she would keep sharpening for years, with the rough edges left in on purpose.\u003c\/p\u003e\u003cp\u003eA. G. Cook handles much of the production, with SOPHIE, Easy FX, Danny L Harle and John Hill also at the controls. Opener \"Dreamer\" pairs Charli with Starrah and RAYE over a lazy, sun-drunk hook, while \"3AM (Pull Up)\" with MØ slides along on cool, late-night synths that feel built for the ride home.\u003c\/p\u003e\u003cp\u003eThe collaborators carry real weight here. Uffie floats through \"Babygirl\" and ABRA brings smoky calm to \"Drugs\", but it's CupcakKe who walks off with the closing \"Lipgloss\", trading lines with Charli in a giddy, filthy-minded rush. Tucked in the middle, \"ILY2\" proves she can write a plain old crush song with total sincerity.\u003c\/p\u003e\u003cp\u003eFor fans tracing the thread from this era to everything since, this single LP is a compact and very playable chapter, and a reminder of how much fun pop gets when nobody is playing it safe.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57107635732785,"sku":"5026854927930","price":33.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Charli_XCX-Number_1_Angel.jpg?v=1792934620"},{"product_id":"brooks-dunn-brand-new-man-35th-anniversary-edition-colored-vinyl","title":"Brooks \u0026 Dunn - Brand New Man (35th Anniversary) [Smokey Marble]","description":"\u003cp\u003eBrooks \u0026amp; Dunn's Brand New Man marks its 35th anniversary on colored vinyl, celebrating the 1991 debut that turned two solo hopefuls into one of the defining country duos of the decade.\u003c\/p\u003e\u003cp\u003eKix Brooks and Ronnie Dunn had each spent the 1980s chasing solo careers when Tim DuBois suggested they try working together. The pairing clicked immediately. The album sent four singles in a row to No. 1 on the country chart and went on to sell millions, kicking off a run that would dominate country radio for years.\u003c\/p\u003e\u003cp\u003eProducers Don Cook and Scott Hendricks kept the sound lean and honky-tonk sharp, all twangy guitars and those two contrasting voices. The title track struts with good-natured swagger, and \"Neon Moon\" is a barroom ballad soaked in late-night loneliness, with Dunn's voice doing the heavy lifting.\u003c\/p\u003e\u003cp\u003e\"My Next Broken Heart\" rides a sly, rolling groove, but \"Boot Scootin' Boogie\" is the one everybody knows, a dancefloor stomper that helped spark the line-dancing craze of the 1990s and still fills wedding receptions to this day.\u003c\/p\u003e\u003cp\u003eThirty-five years later, the record still sounds like a Friday night at the dancehall, boots scuffing the floor and a cold drink close at hand, and this anniversary edition gives it a fresh coat of color for the shelf.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57107637076273,"sku":"8719262044913","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Brooks_Dunn-Brand_New_Man_35th_Anniversary_Edition_Colored_Vinyl.jpg?v=1792935144"},{"product_id":"iron-maiden-somewhere-back-in-time-the-best-of-1980-1989-2lp","title":"Iron Maiden - Somewhere Back in Time: The Best of 1980-1989 [2LP]","description":"\u003cp\u003eIron Maiden's Somewhere Back in Time: The Best of 1980-1989 is heading to a double LP pressing, collecting 15 tracks from the decade that crowned the band heavy metal royalty.\u003c\/p\u003e\u003cp\u003eAssembled in 2008 to accompany the tour of the same name, the compilation zeroes in on Maiden's most mythologized era, from the street-level snarl of their early records to the grand, galloping ambition of Powerslave and Seventh Son of a Seventh Son.\u003c\/p\u003e\u003cp\u003eThe cornerstones are all accounted for. \"The Trooper\" charges in on that famous twin-guitar gallop, and \"Run to the Hills\" remains a thundering singalong. \"Hallowed Be Thy Name\" builds from doom-laden calm into one of the great epics in metal, with Bruce Dickinson at full operatic stretch.\u003c\/p\u003e\u003cp\u003e\"2 Minutes to Midnight\" and \"Wasted Years\" show off the band's knack for soaring melodic hooks, while \"Can I Play with Madness\" captures their late-decade polish. Live takes of \"Aces High\" and \"Wrathchild\" bottle the sheer force of Maiden on stage, with Churchill's wartime speech setting the scene.\u003c\/p\u003e\u003cp\u003eFor newcomers it will make a fine crash course, and for longtime fans it offers a well-paced ride through four sides of the songs that helped define a genre, sequenced to keep the adrenaline high from start to finish.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57107668304177,"sku":"4099964274929","price":41.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Iron_Maiden-Somewhere_Back_in_Time_The_Best_of_1980-1989_2LP.jpg?v=1792934690"},{"product_id":"fontaines-d-c-dopamine-chamber","title":"Fontaines D.C. - Dopamine Chamber","description":"\u003cp\u003eColder, stranger and more synthetic than anything before it, Dopamine Chamber is the fifth Fontaines D.C. album and their boldest swerve yet.\u003c\/p\u003e\u003cp\u003eRather than repeat the swooning grandeur of Romance, the Dublin five-piece reunited with producer James Ford and spent more than a year on this 2026 record across studios in London and Suffolk, while Grian Chatten recorded his vocals separately in a makeshift home setup in Palermo. Chatten has framed the album as a test chamber for mood-altering music, and its subjects fit that clinical premise: artificial intelligence, environmental collapse and political violence, all filtered through the static of memes and celebrity culture.\u003c\/p\u003e\u003cp\u003eSix Shot Morning, road-tested at summer shows before release, opens the record, and Marianne follows as the lead single, a song about escapism and hedonism that took its cue from the thriller Ripley. Tongue was picked as the second single, and Where Is Gone? brings in Rosalía, the first guest vocalist the band has ever featured, for a pairing few would have predicted.\u003c\/p\u003e\u003cp\u003eChatten has said he chose to leave hope out and reflect the ugliness honestly, and that refusal gives the album its charge. It can be a bleak listen, but it is also gripping, the sound of a band at the top of its game choosing discomfort over comfort.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57107674431793,"sku":"191404167311","price":33.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Fontaines_D.C.-Dopamine_Chamber.jpg?v=1792935468"},{"product_id":"ken-carson-project-x-5th-anniversary-edition","title":"Ken Carson - Project X (5th Anniversary)","description":"\u003cp\u003eFive years after its 2021 release, Ken Carson's Project X returns in an anniversary edition, revisiting the debut that helped define the distorted, high-voltage sound of rage rap.\u003c\/p\u003e\u003cp\u003eReleased on Opium, the label run by Playboi Carti, it followed a run of EPs and served as Carson's first full-length statement. Reviews were mixed on the songwriting at the time, but the album found a devoted audience fast among rage fans and helped establish him as one of the movement's leading voices.\u003c\/p\u003e\u003cp\u003eMost of the production comes from Star Boy and Outtatown, whose blown-out synths and booming 808s give the record its hypnotic, overdriven glow. Rock N Roll and Run + Ran remain the fan favourites, the first a short burst of chaotic energy and the second stretching past four minutes as one of the album's longest moments. Hella and Till I Die keep the pace fierce, with Carson's clipped, melodic delivery riding the beats rather than fighting them.\u003c\/p\u003e\u003cp\u003eAt just over 27 minutes, it is short, loud and relentlessly focused, and the sound he sketched here is the one he would push to further extremes on later records. Listeners who found him through his more recent work will discover the template being drawn up here, and it still hits hard.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57107678232881,"sku":"199957578592","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Ken_Carson-Project_X_5th_Anniversary_Edition.jpg?v=1792934714"},{"product_id":"johnny-cash-hello-im-johnny-cash-blue-holland-import","title":"Johnny Cash - Hello, I'm Johnny Cash [Blue Holland Import]","description":"\u003cp\u003eHello, I'm Johnny Cash catches the Man in Black at a commercial high, here on limited 180-gram blue vinyl in a gatefold jacket, imported from Holland.\u003c\/p\u003e\u003cp\u003eBorrowing his famous stage greeting for its title, it was released in 1970, hot on the heels of the career-reviving prison albums, while his television show was turning him into a household name. Producer Bob Johnston kept the arrangements lean, and Cash used the space to mix his own songs with material from writers he admired, including Roy Orbison, Tim Hardin and a then little-known Kris Kristofferson.\u003c\/p\u003e\u003cp\u003eIf I Were a Carpenter, his duet with June Carter, turns Hardin's folk song into a warm conversation between husband and wife. See Ruby Fall, which Cash co-wrote with Orbison, and Blistered, a Billy Edd Wheeler number, were paired on a double A-side single that showed off both his tender and his playful sides. Kristofferson's To Beat the Devil gets one of the album's most intimate readings, Cash sounding weathered and patient as he leans into the story.\u003c\/p\u003e\u003cp\u003eIt is a confident, generous record from an artist clearly enjoying the moment, and it shows Cash as a sharp interpreter of other people's songs as well as a writer of his own. 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The result is tighter and more melodic than anything they had made before, and it spun off four singles that made ELO a fixture on radio on both sides of the Atlantic.\u003c\/p\u003e\u003cp\u003eTelephone Line is the heart of it, a heartbroken ballad that opens with a synthesised ringing tone and carries a doo-wop sweetness straight out of the 50s. Livin' Thing bursts out of a swirl of violins into one of Lynne's catchiest choruses, and Rockaria! playfully drops an operatic soprano into a rock and roll stomp. Do Ya, a rerecording of a song Lynne first cut with The Move in 1972, adds a meaty riff for good measure.\u003c\/p\u003e\u003cp\u003eThis is the album that cemented ELO's identity for good, lush yet punchy and ambitious without ever turning stuffy. 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Strings and horns were added afterwards, largely without the band's input, and the record sank on release. For decades it sat awkwardly at the start of the Genesis story, more curiosity than cornerstone.\u003c\/p\u003e\u003cp\u003eThis edition shifts the balance. A new stereo mix by Stephen W. Tayler, approved by Banks, Gabriel and Rutherford, puts the band's playing first and lets the orchestration sit further back. In the Beginning and The Serpent show the young group's melodic instincts, with Banks's keyboards and Gabriel's already distinctive voice at the centre. The second disc works like a bonus EP, gathering four extra tracks, among them the early single A Winter's Tale and a previously unreleased early version of Visions of Angels.\u003c\/p\u003e\u003cp\u003eThat song would later resurface on Trespass, which makes this set a neat bridge between the pop apprentices of 1968 and the prog pioneers they became. 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She pitched it as a whimsical throwback, and that is exactly how it plays: eight seasonal standards and four originals, dressed in retro country, Western swing and a little tiki-bar warmth rather than sleigh bells by the truckload.\u003c\/p\u003e\u003cp\u003eThe originals are the real treats. A Willie Nice Christmas brings in Willie Nelson, and his guitar Trigger, for a sly, smoky duet, while Present Without a Bow pairs her with Leon Bridges on a slow, aching soul ballad about missing someone at Christmas. Christmas Makes Me Cry, co-written with Shane McAnally and Brandy Clark, is the quiet heart of the record, all wry honesty and tears behind the tinsel. The Quebe Sisters add close fiddle-band harmonies to Mele Kalikimaka, a breezy detour to the islands.\u003c\/p\u003e\u003cp\u003eA decade on, it sits comfortably beside the vintage holiday records it borrows from, warm and funny in equal measure. 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Adams produced the record and had his band play in the room around Nelson with minimal amplification, aiming for something loose and live rather than glossy Nashville polish. The result sits among the more adventurous albums of Nelson's later career, mixing a handful of his own songs with covers that reach well beyond country.\u003c\/p\u003e\u003cp\u003eThe title track reworks Christine McVie's Fleetwood Mac ballad with a hushed, tender touch, while the Grateful Dead's Stella Blue stretches out into a slow, late-night meditation. Leonard Cohen's Hallelujah gets a weathered, unhurried reading that leans on every crack in that famous voice. Rainy Day Blues, one of Nelson's own songs, opens the album with a relaxed, rolling groove that sets the tone for everything after it.\u003c\/p\u003e\u003cp\u003eTwenty years on, Songbird still sounds like a curious and generous experiment from an artist who never stopped saying yes to new ideas, and The Cardinals bring a ragged warmth that suits him well. 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Ben Webster's breathy tenor saxophone, Harry Edison's trumpet, Barney Kessel's guitar and Jimmy Rowles' piano surround her with sympathetic, conversational playing that never crowds the singer.\u003c\/p\u003e\u003cp\u003eThe title track opens the record at a slow burn, with Webster's sax curling around every line. They Can't Take That Away From Me and Let's Call the Whole Thing Off show her lighter, swinging side with a pair of Gershwin favourites, while Embraceable You stretches out into one of the album's most tender moments, her phrasing hanging just behind the beat.\u003c\/p\u003e\u003cp\u003eHer singing here is about weight and timing rather than range, and that is exactly the appeal: a great interpreter making every word count. 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Simon Le Bon called it disco for the 2020s, and the band then went looking for contemporary remixers to push it further, resulting in their first remix album released on vinyl.\u003c\/p\u003e\u003cp\u003eEach version takes the song somewhere new. Free To Love (Horse Meat Disco Remix) comes from the London collective known for keeping classic disco alive, while ALISSIA, Harrison and DJ White Shadow each pull the groove in their own direction, and Free To Love (Trixie Mattel Remix) brings the drag star's own pop sensibility to the mix. The band also contribute two versions of their own, Love Overture and Across the Galaxy, which appear only on the physical formats.\u003c\/p\u003e\u003cp\u003eIt is a light, celebratory record that treats one song as a starting point rather than a finished product, and it plays well as a continuous party set. 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Decades later they remain a fixture of the industrial club scene, and this 2026 album keeps that spirit intact, pairing electronic muscle with an attitude that rarely keeps a straight face.\u003c\/p\u003e\u003cp\u003eDreamboy, El Mundo Está Loco and Karaoke Superstar all surfaced as singles ahead of the album, a clear sign of its priorities: big hooks, pulsing club rhythms and a knowing wink. Dopamine War rounds out the early highlights, its title alone promising the kind of chemical rush the band has always traded on.\u003c\/p\u003e\u003cp\u003eElsewhere, titles in Spanish and German nod to the band's European roots and international fanbase, and the album moves quickly across its eleven tracks without wasting a beat or a punchline. It is loud, cheeky and built for dark rooms with the lights down low. 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Recorded in New York with Don Was producing, it found Rich Robinson covering most of the bass parts after Greg Rzab's exit, with guitarist Audley Freed appearing on his only Crowes studio album. The influences run from Led Zeppelin's thunder to late-1960s soul and funk.\u003c\/p\u003e\u003cp\u003eLickin' kicks the doors open with a greasy, strutting riff, and Soul Singing, lifted by a group of backing singers, became one of the album's signature moments on rock radio. Greasy Grass River features a searing guest lead from Craig Ross, while Lay It All on Me closes the set with Rich Robinson on piano, bringing the record down to a slow, soulful finish.\u003c\/p\u003e\u003cp\u003eIt is a big, swaggering record from a band unafraid to turn everything up, and a vivid snapshot of the Robinson brothers in full flight. 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Mark Knopfler answered with a looser, more reflective record that leans into country and blues shades and the kind of storytelling he would carry into his solo career.\u003c\/p\u003e\u003cp\u003eCalling Elvis, the lead single, rides a rolling, hypnotic groove and Knopfler's dry wit, while Heavy Fuel kicks up some of the grittiest riffs the band ever recorded. The title track builds slowly into one of his most atmospheric guitar showcases, and The Bug, a jaunty, twangy shuffle, shows the lighter side of his songwriting. Throughout, Knopfler's fingerpicked guitar tone is as distinctive as ever.\u003c\/p\u003e\u003cp\u003eHalf-speed mastering suits a recording this detailed, where space and dynamics matter as much as the notes themselves, and spreading the album across two LPs gives each side plenty of room to breathe.\u003c\/p\u003e\u003cp\u003eOften overlooked next to its record-breaking predecessor, On Every Street deserves fresh ears, and this anniversary pressing makes a compelling case for its quiet confidence and craftsmanship.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57107854098737,"sku":"199957631600","price":57.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Dire_Straits-On_Every_Street_35th_Anniversary_Edition_2LP_UK_Import_c06a7a84-4704-4412-b397-6849bb847ce3.jpg?v=1793182226"},{"product_id":"charli-xcx-true-romance-1","title":"Charli XCX - True Romance","description":"\u003cp\u003eCharli XCX's True Romance returns as a 140-gram vinyl reissue, bringing back the 2013 debut that first sketched the shadowy, glittering pop she has been sharpening ever since.\u003c\/p\u003e\u003cp\u003eLong before Brat turned her into a household name, Charli was building a cult following with songs that paired gothic melodrama with chart-sized hooks. True Romance gathered singles she had been releasing since 2011 into one moody, cohesive record, and its blend of club textures and heartbroken diary entries still sounds current.\u003c\/p\u003e\u003cp\u003eMuch of the album was built with producer Ariel Rechtshaid, whose hazy synths and booming drums give \"Nuclear Seasons\" its cold, cinematic pull. \"You (Ha Ha Ha)\" flips a Gold Panda sample into a sneering kiss-off, while \"Stay Away\" floats on a fog of reverb and longing. Then \"What I Like\" snaps everything into bright, bratty focus, an early glimpse of the fearless pop star waiting around the corner.\u003c\/p\u003e\u003cp\u003eWhat makes the record rewarding now is hearing those ideas arrive raw, from the deadpan humour to choruses that feel slightly unhinged in the best way. 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This time Evans had Eddie Gómez on bass and Philly Joe Jones on drums, a partner from his late-1950s records whose crisp, swinging drive pushes the pianist somewhere bolder and more extroverted. The tapes stayed on the shelf until 1982, two years after Evans' death, when they finally appeared as a double album.\u003c\/p\u003e\u003cp\u003eFifteen performances fill four sides. The title track kicks off with a bright, buoyant bounce, and Stella by Starlight unfolds with Evans' trademark harmonic richness. His own compositions Very Early and Turn Out the Stars show the composer at his most quietly beautiful, while Gómez, still fairly new to the chair, already plays with the agility and conversational spark that would define their long partnership.\u003c\/p\u003e\u003cp\u003eLess famous than the 1961 Vanguard recordings but every bit as rewarding, it is a key piece of the Evans story. 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Muggs had been central to the group's early classics, and having him steer the whole album pulled the sound back toward the murky, smoked-out psychedelia that made them famous.\u003c\/p\u003e\u003cp\u003eThis time the haze drifts somewhere stranger, with Eastern-tinged melodies, swirling interludes and brass from Terrace Martin, Josef Leimberg and Adam Turchin threaded through the beats. \"Band of Gypsies\" sets the tone with guest vocals from Sadat and Alaa Fifty, while \"Crazy\" keeps the menace simmering under B-Real's unmistakable nasal flow.\u003c\/p\u003e\u003cp\u003e\"Locos\" and \"Reefer Man\" show the group still having fun with their favourite themes, and short instrumental passages tie the album together, giving it the feel of one continuous trip rather than a playlist. 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This first set, presented complete and in its original running order for the first time, catches Hendrix, Mitch Mitchell and Billy Cox in the last year of his life, road-hardened and restless, mixing the hits with songs that were still taking shape.\u003c\/p\u003e\u003cp\u003eA blistering \"Fire\" sets the pace before the band heads into heavier territory. \"Machine Gun\" is the centrepiece, a slow-building storm of feedback, sustain and martial snare that still sounds like a protest written in real time. \"Hear My Train A Comin'\" stretches the blues until it groans, and \"Voodoo Child (Slight Return)\" closes the set in a haze of wah-wah and swagger.\u003c\/p\u003e\u003cp\u003eCox's bass gives everything a rounder, funkier floor than the original Experience line-up had, and you can hear Hendrix leaning into that weight, letting solos breathe before detonating them.\u003c\/p\u003e\u003cp\u003eFor anyone who has worn out the second show, this is the missing half of the evening, with the rough edges left in and all the more vivid for them.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57139113001265,"sku":"199584540719","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Jimi_Hendrix-Magic_Boy_The_Jimi_Hendrix_Experience_Live_At_Berkeley_First_Show_2LP.jpg?v=1793087801"},{"product_id":"johnny-cash-with-his-hot-blue-guitar-blue","title":"Johnny Cash - With His Hot \u0026 Blue Guitar [Blue]","description":"\u003cp\u003eJohnny Cash's first long-player spins on blue vinyl here, the 1957 Sun Records debut that caught the man in black before the legend hardened into myth.\u003c\/p\u003e\u003cp\u003eRecorded between 1954 and 1957 and produced by Sam Phillips, With His Hot \u0026amp; Blue Guitar was one of the very first albums Sun ever released, gathering early hit singles alongside the country and gospel songs Cash carried with him to Memphis. The lineup is gloriously lean: Cash on vocals and acoustic rhythm guitar, Luther Perkins on electric lead and Marshall Grant on double bass, the Tennessee Two at their most economical.\u003c\/p\u003e\u003cp\u003eThat boom-chicka-boom shuffle is the whole engine. \"Folsom Prison Blues\" still carries its cold-blooded swagger, \"I Walk The Line\" delivers a vow of devotion almost in a murmur, and \"Cry! Cry! Cry!\" packs an entire bitter goodbye into two and a half minutes. \"Rock Island Line\" leans into the railroad songs that ran through so much of his music, all clattering rhythm and lonesome whistle.\u003c\/p\u003e\u003cp\u003eTwelve songs, under half an hour, barely a wasted note. 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A handful of louder, electric-leaning ideas were set aside in favour of stripped-back, acoustic-led songwriting, with lyrics drawn from family memories and childhood moments that seemed small at the time.\u003c\/p\u003e\u003cp\u003eLead single My Whole World comes from that deeply personal place and sets the tone for a record that trades stadium swagger for something closer and quieter. Cold Blue Dawn and Blue Jeans and Diamonds fill out a 13-song sequence that closes on Get You Down, the band letting melody and storytelling carry the weight that big riffs once did.\u003c\/p\u003e\u003cp\u003eIt is a brave turn for a group that could easily keep filling arenas on autopilot. 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Producer Daniel Braunstein, a trusted hand in heavy music circles, helped shape a record that leans hard into atmosphere, with shimmering synths, booming low end and plenty of open space for Rory Rodriguez's soaring clean vocals to do their work.\u003c\/p\u003e\u003cp\u003eSingles Neon Grave and Without Me carry some of the album's biggest, most instantly memorable hooks, the kind built to be screamed back from a packed room. Crying While You're Dancing has a title that neatly sums up the whole mood, heartbreak with a pulse, and closer Afterglow (Hazel's Song) lets the record fade out on a gentler, more intimate note than its heavier moments might suggest.\u003c\/p\u003e\u003cp\u003eFor fans who like their heavy music emotionally candid and their choruses enormous, Dark Sun remains a high point in the Dayseeker catalogue. It is a record that rewards late-night listening with the lights low, and this limited pressing makes a striking companion to earlier variants already on collectors' shelves.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57139122962737,"sku":"5401148012880","price":34.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Dayseeker-Dark_Sun_Jellyfish_Galaxy.jpg?v=1793352434"},{"product_id":"dayseeker-creature-in-the-black-night-red-black-pearl-flip","title":"Dayseeker - Creature in the Black Night [Red \u0026 Black Pearl Flip]","description":"\u003cp\u003eDayseeker turn the lights down low on Creature in the Black Night, their 2025 album, pressed here as a limited red and black pearl flip vinyl edition.\u003c\/p\u003e\u003cp\u003eFor more than a decade the band has blurred the line between post-hardcore heartbreak and metalcore weight, with Rory Rodriguez's soaring voice always at the centre. This record leans further into melody and atmosphere than their earlier work, wrapping songs about mistrust, betrayal and giving in to temptation in a deliciously gothic mood. Raw vocals meet modern, glossy production, so the heavy moments land with real clarity.\u003c\/p\u003e\u003cp\u003eThe track list tells you plenty about the vibe, with titles like Crawl Back to My Coffin and Cemetery Blues. Opener Pale Moonlight sets the scene as an ode to surrendering to your vices, while the title track rides an electronic pulse and a striking falsetto that would sound right at home in a darkened club. Bloodlust is the heaviest moment on the record, built around a crushing breakdown that will have the pit bracing for impact.\u003c\/p\u003e\u003cp\u003eIt all adds up to the band's most cinematic and seductive collection yet, part heartbreak record and part midnight creature feature. The red and black flip pressing looks as dramatic as the songs sound, which feels about right. Best played late, with the curtains drawn.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57139122995505,"sku":"5401148012835","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Dayseeker-Creature_in_the_Black_Night_Red_Black_Pearl_Flip.jpg?v=1793352143"},{"product_id":"pink-floyd-meddle-japan-import","title":"Pink Floyd - Meddle [Japan Import]","description":"\u003cp\u003eMeddle is the sound of Pink Floyd finding the road to their 1970s peak, and this limited Japanese edition brings the 1971 album to collectors as an import pressing.\u003c\/p\u003e\u003cp\u003eAfter the sprawling experiments of Atom Heart Mother, the band spent much of 1971 working between tour dates at EMI's Abbey Road, AIR and Morgan Studios in London, producing the record themselves. What emerged was more focused and cohesive, a band learning how to stretch an idea across a whole side without losing the thread.\u003c\/p\u003e\u003cp\u003eThat side is Echoes, a 23-minute piece that grew from a single piano note Richard Wright fed through a Leslie speaker. It drifts, swells and dissolves across all of side two, and its patient build pointed straight towards The Dark Side of the Moon. Side one opens with One of These Days, driven by a pulsing, echo-drenched bassline and Nick Mason's lone, menacing spoken line. Fearless fades out on Liverpool FC supporters singing You'll Never Walk Alone at Anfield, while Seamus features a howling dog with surprisingly decent timing.\u003c\/p\u003e\u003cp\u003eHipgnosis designed the sleeve, an ear underwater catching ripples of sound, a fitting image for a record so concerned with space and echo.\u003c\/p\u003e\u003cp\u003eFor Floyd collectors, a Japanese pressing of this pivotal album makes a handsome addition to the shelf.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57139123028273,"sku":"4547366840940","price":61.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Pink_Floyd-Meddle_Japan_Import.jpg?v=1793085513"},{"product_id":"dayseeker-creature-in-the-black-night-marble","title":"Dayseeker - Creature In The Black Night [Marble]","description":"\u003cp\u003eDayseeker lean all the way into the gothic on Creature In The Black Night, and this upcoming limited marble pressing dresses their sixth album in suitably moody colour.\u003c\/p\u003e\u003cp\u003eFirst released in 2025, the record pushes the dark, cinematic side the band have been sharpening for years. Producer Daniel Braunstein, known for his work with Spiritbox, gave the guitars more bite, while Zakk Cervini's mix keeps every synth swell and breakdown sharply in focus. The result is heavier than what came before yet somehow clearer, a horror-film mood board rendered in widescreen.\u003c\/p\u003e\u003cp\u003eRory Rodriguez's voice remains the anchor, soaring and wounded in equal measure. \"Pale Moonlight\" opens the record and sets the nocturnal scene, while \"Shapeshift\" and \"Crawl Back To My Coffin\" lean into the monster-movie imagery that runs through the whole album. \"Meet The Reaper\" stares mortality straight in the face, turning fear and longing into something you can sing along to.\u003c\/p\u003e\u003cp\u003eIt is a record that understands how much catharsis a minor key can hold, balancing crushing low end with melodies built to be shouted back at full volume.\u003c\/p\u003e\u003cp\u003eFor fans who already own the black or grey pressings, this marble edition is one more reason to keep the lights low and the volume high.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57139123126577,"sku":"5401148012842","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Dayseeker-Creature_In_The_Black_Night_Marble.jpg?v=1793087836"},{"product_id":"miles-davis-at-newport-1958-holland-import","title":"Miles Davis - At Newport 1958 [Holland Import]","description":"\u003cp\u003eIn 1958 the Miles Davis Sextet hit the Newport Jazz Festival stage, and At Newport 1958 catches that band at full gallop, pressed on 180 gram black vinyl as a Holland import.\u003c\/p\u003e\u003cp\u003eLook at the lineup: John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans at the piano, Paul Chambers on bass and Jimmy Cobb on drums. This was nearly the same group that would record Kind of Blue the following year, but the mood here is far from cool and modal. It is fast, competitive and thrillingly restless.\u003c\/p\u003e\u003cp\u003eAfter a spoken introduction from Willis Conover, the band tears into Charlie Parker's Ah-Leu-Cha at a breakneck tempo. Thelonious Monk's Straight, No Chaser gives Coltrane room to unspool his dense sheets of sound, with Cannonball answering in bright, bluesy runs. Fran-Dance eases into a gentler, lilting groove, and Two Bass Hit lets Chambers and Cobb drive the whole machine forward.\u003c\/p\u003e\u003cp\u003eParts of this performance first surfaced on Miles \u0026amp; Monk at Newport, and the full set was finally gathered as its own album in 2001.\u003c\/p\u003e\u003cp\u003eHearing it start to finish feels like standing near the front of the crowd while a band on the verge of changing jazz pushes itself as hard as it can.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57139123585329,"sku":"8719262036918","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Miles_Davis-At_Newport_1958_Holland_Import.jpg?v=1793085519"},{"product_id":"miles-davis-john-coltrane-the-best-of-miles-davis-john-coltrane-1955-1961-2lp","title":"Miles Davis \u0026 John Coltrane - The Best Of Miles Davis \u0026 John Coltrane 1955-1961 [2LP]","description":"\u003cp\u003eArriving for the centenaries of both men, this collection gathers nine landmark recordings by Miles Davis and John Coltrane, making its vinyl debut across two LPs.\u003c\/p\u003e\u003cp\u003eBetween 1955 and 1961, Davis led a small group at Columbia that changed the direction of jazz, with Coltrane as its searching tenor voice. The band grew from the first great quintet with Red Garland, Paul Chambers and Philly Joe Jones into a sextet featuring Cannonball Adderley, with Bill Evans, Wynton Kelly and Jimmy Cobb also passing through. The compilation draws on 'Round About Midnight, Milestones, Kind of Blue and Someday My Prince Will Come, so the arc of that partnership unfolds side by side.\u003c\/p\u003e\u003cp\u003eThe earlier sides swing hard and bright. \"Two Bass Hit\" shows how well Davis's spare, economical lines sat against Coltrane's restless flurries, while \"'Round Midnight\" lets the Thelonious Monk ballad smoulder under a muted trumpet. By the time \"So What\" arrives, with Chambers' bass posing the question and the horns answering, modal jazz has fully taken shape, and \"Blue in Green\" is as hushed and intimate as anything Davis ever recorded.\u003c\/p\u003e\u003cp\u003eIt's a compact, beautifully chosen way into one of the great partnerships in the music, and a fitting way to mark a hundred years of both players. Set aside an evening and let all four sides play.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57139123716401,"sku":"199584563619","price":35.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Miles_Davis_John_Coltrane-The_Best_Of_Miles_Davis_John_Coltrane_1955-1961_2LP.jpg?v=1793087387"},{"product_id":"queens-of-the-stone-age-perfecth","title":"Queens of the Stone Age - Perfecth","description":"\u003cp\u003eJosh Homme invented a word for it: Perfecth, the ninth Queens of the Stone Age studio album, arrives on vinyl with all its deliberate wrongness intact.\u003c\/p\u003e\u003cp\u003eComing three years after In Times New Roman..., the record was produced by Homme with bandmate Michael Shuman and is issued through Matador. The title is a purposeful misspelling of perfect, a fitting badge for a band that has always preferred its grooves slightly bent and its beauty a little bruised.\u003c\/p\u003e\u003cp\u003eNine songs circle different kinds of love, from family and friendship to relationships that wound and heal in equal measure. Insignificant Other sits at the heart of the album, while Mono plays games with the listening experience itself, shifting between mono and stereo and from intimate scale to orchestral sweep. Easy Street, the first taste of the record, and closer Run Away from the Mob frame a set that moves between menace and tenderness with that familiar Queens swing.\u003c\/p\u003e\u003cp\u003eAfter roughly three decades of desert-born riffs, Queens of the Stone Age still sound like nobody else, dark and oddly romantic at the same time. Perfecth looks set to be another chapter worth hearing on wax, where the band's heavy low end and sly details have room to breathe and reveal themselves across repeat plays.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57139123781937,"sku":"191401225311","price":33.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Queens_of_the_Stone_Age-Perfecth.jpg?v=1793087493"}],"url":"https:\/\/vinyl.com\/collections\/new-release.oembed","provider":"Vinyl.com","version":"1.0","type":"link"}