{"title":"Just Dropped","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA freshly curated selection of newly released records, hot off the press.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"system-of-a-down-toxicity-anniversary-edition","title":"System of a Down - Toxicity (Anniversary Edition) [2LP + Bonus 7\"]","description":"","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57097422864689,"sku":"199584721910","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/System_of_a_Down_-_Toxicity.jpg?v=1734325762"},{"product_id":"madonna-danceteria-7-inch-clear","title":"Madonna \u0026 Charli XCX - Danceteria [7-inch Clear]","description":"\u003cp\u003eMadonna heads back to where it all began with Danceteria, the club anthem from Confessions II, pressed here as a clear 7-inch single with Charli XCX joining her on the A-side.\u003c\/p\u003e\u003cp\u003eThe song is a love letter to the downtown New York club that gave her a start, the room where DJ Mark Kamins first played her demo of \"Everybody\" and a career took shape. Released in 2026 as the third single from her fifteenth studio album, it finds Madonna looking back without slowing down, swapping nostalgia for a packed floor and climbing to the top of the US dance airplay chart along the way.\u003c\/p\u003e\u003cp\u003eSide A carries \"Danceteria (Afterhours Mix)\", the reworked version that brings in Charli XCX with a fresh second verse about her own nights out, the first time the two have recorded together. Side B returns to \"Danceteria (Single Version)\", produced by Madonna with Andrew Watt, Cirkut and Stuart Price: a filtered disco-house groove with a crunchy bassline, a hip-hop break and a sly nod to Lou Reed's \"Walk on the Wild Side\".\u003c\/p\u003e\u003cp\u003eHoused in a black-and-white art sleeve, it's a small, shiny piece of pop history for anyone who still believes the best stories start after midnight. Two generations of club royalty, one 45, and nobody ready to go home.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57097609675057,"sku":"054391210678","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Madonna_Charli_XCX-Danceteria_7-inch_Clear.jpg?v=1792938532"},{"product_id":"outkast-big-boi-and-dre-present-outkast-2lp-purple-marble","title":"OutKast - Big Boi and Dre Present... OutKast [2LP Purple Marble]","description":"\u003cp\u003eSeven years of Atlanta brilliance in a single sitting: Big Boi and Dre Present... OutKast arrives on purple marble 2LP, the duo's only compilation.\u003c\/p\u003e\u003cp\u003eReleased in 2001, while Stankonia was still riding high, the set traces André 3000 and Big Boi from the Organized Noize-produced funk of Southernplayalisticadillacmuzik through ATLiens and Aquemini to their chart-topping peak. Several older tracks appear in versions that differ from the original album cuts, and three new songs were recorded for the occasion.\u003c\/p\u003e\u003cp\u003e\"Ms. Jackson\" still aches beneath its bounce, an apology wrapped in one of the most recognisable hooks of its era, \"B.O.B. (Bombs Over Baghdad)\" remains a breakneck rush of drum and bass energy and gospel fervour, and \"Rosa Parks\" stomps and claps its way to a harmonica breakdown.\u003c\/p\u003e\u003cp\u003eOf the new material, \"The Whole World\", featuring Killer Mike, became the standout, going on to win the Grammy for Best Rap Performance by a Duo or Group. Two more new songs, featuring Sleepy Brown and Joi, round out a set that works as a victory lap and a primer in equal measure.\u003c\/p\u003e\u003cp\u003eAcross 16 tracks the range is staggering, from smoky Southern soul to wild-eyed futurism, and the purple marble vinyl gives it the flamboyant presentation these two always deserved.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57097763062065,"sku":"199584131818","price":31.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/OutKast-Big_Boi_and_Dre_Present..._OutKast_2LP_Purple_Marble.jpg?v=1792935106"},{"product_id":"red-hot-chili-peppers-stadium-arcadium-20th-anniversary-edition-4lp-yellow-red","title":"Red Hot Chili Peppers - Stadium Arcadium (20th Anniversary) [4LP Yellow \u0026 Red]","description":"\u003cp\u003eRed Hot Chili Peppers' Stadium Arcadium turns 20 with this limited anniversary edition, spreading the double album over four yellow and red LPs in gatefold packaging.\u003c\/p\u003e\u003cp\u003eReleased in 2006 and split into two halves, Jupiter and Mars, it was the band's most ambitious statement, produced by longtime collaborator Rick Rubin. It became their first album to reach number one in the US and won the Grammy for Best Rock Album, and it was also John Frusciante's last record with the band until his return more than a decade later.\u003c\/p\u003e\u003cp\u003eFrusciante's guitar work is the star throughout, layered, melodic and endlessly inventive, while Flea, Chad Smith and Anthony Kiedis lock in with the ease of a band at the top of its game.\u003c\/p\u003e\u003cp\u003eDani California kicks off with a swaggering riff and a story that winds across American backroads, while Snow (Hey Oh) rides one of Frusciante's most nimble, cascading guitar lines. Tell Me Baby is all funk bounce and Flea bass, and Wet Sand builds into a soaring, emotional finale that ranks among their best moments.\u003c\/p\u003e\u003cp\u003eThere's a lot of music here, and that's the point. Across four LPs the album finally gets the room it always needed, making this the most generous way to hear the band's sprawling high-water mark.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57097767649585,"sku":"093624820482","price":89.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Red_Hot_Chili_Peppers-Stadium_Arcadium_20th_Anniversary_Edition_4LP_Yellow_Red.jpg?v=1792932777"},{"product_id":"phil-collins-essential-going-back-1","title":"Phil Collins - Essential Going Back","description":"\u003cp\u003ePhil Collins heads back to the records that made him fall for music on Essential Going Back, his affectionate tribute to Motown and 1960s soul, coming soon on 180-gram vinyl.\u003c\/p\u003e\u003cp\u003eThe album first appeared in 2010 as Going Back, his first solo record in eight years, and this Essential version trims and reshuffles the original running order, with updated artwork showing Collins as he is today. The title arrived after he found an old photo of himself drumming at 13, which says plenty about where his heart was.\u003c\/p\u003e\u003cp\u003eTo get the feel right, Collins recruited three Funk Brothers from the Motown house band, bassist Bob Babbitt and guitarists Eddie Willis and Ray Monette. That pedigree gives \"(Love Is Like A) Heatwave\" and \"Uptight (Everything's Alright)\" the right bounce, while a stretched-out \"Papa Was A Rolling Stone\" simmers with slow-burning menace. The title track, a Goffin and King song, is the tender heart of the set.\u003c\/p\u003e\u003cp\u003eThese are faithful readings played with affection rather than reinvention, and Collins sings them with obvious delight, never trying to outshine the originals.\u003c\/p\u003e\u003cp\u003eOn heavyweight vinyl, it makes for a warm, easygoing listen and a neat bridge between his own catalogue and the Hitsville records he grew up on.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57097769779505,"sku":"603497801879","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Phil_Collins-Essential_Going_Back.jpg?v=1792934319"},{"product_id":"phil-collins-face-value","title":"Phil Collins - Face Value","description":"\u003cp\u003eFew solo debuts carry a moment as famous as the drum break in \"In The Air Tonight\", and Phil Collins's Face Value is set to return on 180-gram vinyl.\u003c\/p\u003e\u003cp\u003eReleased in 1981, while Collins was still drumming and singing for Genesis, the album grew out of the collapse of his first marriage. He demoed much of it at home, then produced it with Hugh Padgham, and the heartbreak sits right on the surface rather than being polished away.\u003c\/p\u003e\u003cp\u003eThat cavernous, gated drum sound on \"In The Air Tonight\" helped define the decade, but the record roams widely. \"I Missed Again\" punches along on bright brass from the Phenix Horns, Earth, Wind \u0026amp; Fire's horn section, while \"If Leaving Me Is Easy\" is a hushed, aching ballad. A playful, psychedelic cover of The Beatles' \"Tomorrow Never Knows\" brings the curtain down.\u003c\/p\u003e\u003cp\u003eThere is even a funked-up reworking of a Genesis song. Between the soul-inflected pop and the art-rock experiments, you can hear the template for much of what Collins would do over the following years, along with his knack for making private pain sound universal.\u003c\/p\u003e\u003cp\u003ePressed on heavyweight vinyl, it remains the sound of a drummer stepping out from his band and finding an audience all his own.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57097769812273,"sku":"603497802074","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Phil_Collins-Face_Value.jpg?v=1792934325"},{"product_id":"outkast-idlewild-2lp-pink-marble","title":"OutKast - Idlewild [2LP Pink Marble]","description":"\u003cp\u003ePink marble swirls suit Idlewild nicely, since OutKast's final studio album is a dressed-up, Prohibition-era fantasy spread across two LPs.\u003c\/p\u003e\u003cp\u003eReleased in 2006 alongside the musical film of the same name, a 1930s Georgia tale starring André 3000 and Big Boi, the record swaps the Atlanta futurism of Stankonia and Speakerboxxx\/The Love Below for hot jazz, swing, jump blues and Delta grit, all filtered through hip-hop. It plays partly as a soundtrack and partly as a farewell, with the duo's diverging instincts on full display.\u003c\/p\u003e\u003cp\u003e\"Mighty 'O'\" updates Cab Calloway's call-and-response for a new century, and \"Morris Brown\", named for the Atlanta college, struts on marching-band brass with Scar and Sleepy Brown on the hooks. André strums and croons through \"Idlewild Blue (Don'tchu Worry 'Bout Me)\" like a ragged Delta bluesman, one of the album's loveliest left turns. Throughout, the production mixes vintage swing with modern low end, so it never feels like a costume.\u003c\/p\u003e\u003cp\u003eThe guest list adds to the feel of a sprawling variety show, with Janelle Monáe, Macy Gray, Snoop Dogg, Lil Wayne and Killer Mike all checking in between the interludes and skits.\u003c\/p\u003e\u003cp\u003eAs a swan song it is gloriously unwilling to play safe, and the double LP gives its sprawling running order, interludes and all, the room it needs.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57097769845041,"sku":"199584599915","price":37.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/OutKast-Idlewild_2LP_Pink_Marble.jpg?v=1792932557"},{"product_id":"tom-waits-small-change-50th-anniversary-edition-turquoise","title":"Tom Waits - Small Change (50th Anniversary Edition) [Turquoise]","description":"\u003cp\u003eFifty years on, the bar lights are still flickering: Tom Waits' Small Change returns as a limited 50th anniversary edition, reissued on 180-gram turquoise vinyl.\u003c\/p\u003e\u003cp\u003eReleased in 1976, his fourth studio album found Waits deep in his barfly years, drinking hard and worn thin by the road. He traced its characters to his nights as a doorman at a Los Angeles nightclub and to conversations overheard in all-night coffee shops. Producer Bones Howe captured the sessions direct to two-track stereo tape at Wally Heider's Studio 3 in Hollywood, so what you hear is the room as it happened.\u003c\/p\u003e\u003cp\u003eThat room held serious jazz company: Shelly Manne on drums, Jim Hughart on upright bass and Lew Tabackin on tenor saxophone, with strings arranged by Jerry Yester. Tom Traubert's Blues opens the record with a ragged, heartbroken refrain that borrows the words of Waltzing Matilda. The Piano Has Been Drinking (Not Me) turns alcoholism into deadpan stand-up comedy, Step Right Up is a breathless huckster's pitch, and Invitation to the Blues keeps the late-night melancholy simmering.\u003c\/p\u003e\u003cp\u003eDesolate and funny in the same breath, Small Change remains the high-water mark of his early piano-man era. This turquoise pressing gives it a fittingly vivid coat for the anniversary, without scrubbing away any of the smoke.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57097776005425,"sku":"045778756834","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Tom_Waits-Small_Change_50th_Anniversary_Edition_Turquoise.jpg?v=1792935118"},{"product_id":"john-coltrane-live-at-birdland-verve-acoustic-sounds-series","title":"John Coltrane - Live at Birdland (Verve Acoustic Sounds Series)","description":"\u003cp\u003eOne night at a storied Manhattan club, plus a studio date that followed, gave John Coltrane's classic quartet Live at Birdland, now headed for the Verve Acoustic Sounds Series on 180-gram vinyl.\u003c\/p\u003e\u003cp\u003eReleased on Impulse! in 1964 with Bob Thiele producing, the album captures McCoy Tyner, Jimmy Garrison and Elvin Jones at full tilt. Three tracks come from the bandstand at Birdland in 1963, and two were recorded weeks later at Rudy Van Gelder's studio in Englewood Cliffs. The balance between live heat and studio focus makes it one of the most rounded portraits of the quartet in its prime.\u003c\/p\u003e\u003cp\u003eAfro-Blue, Mongo Santamaria's tune, opens in a whirl of modal momentum, Jones's drums rolling like surf beneath Coltrane's spiraling lines. I Want to Talk About You turns a Billy Eckstine ballad into a showcase, closing on an extended unaccompanied cadenza that seems to stop time. Then comes Alabama, Coltrane's mournful response to the 1963 bombing of the 16th Street Baptist Church in Birmingham that killed four Black girls, as solemn and dignified as anything he recorded.\u003c\/p\u003e\u003cp\u003eTwo more Coltrane originals round out a record of rare emotional range, from searing to serene. Once this pressing lands, it will make a natural companion to any shelf of Impulse! classics.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57097785278769,"sku":"199957085496","price":42.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/John_Coltrane-Live_at_Birdland_Verve_Acoustic_Sounds_Series.jpg?v=1792934413"},{"product_id":"genesis-trick-of-the-tail-50th-anniversary-edition-red","title":"Genesis - Trick of the Tail (50th Anniversary) [Red]","description":"\u003cp\u003ePeter Gabriel's exit could have finished Genesis, but A Trick of the Tail became their reinvention, and this limited 50th anniversary edition is due on 140-gram red vinyl.\u003c\/p\u003e\u003cp\u003eReleased in 1976 as the band's seventh studio album, it was recorded at Trident Studios in London with David Hentschel co-producing. Tony Banks and Mike Rutherford were determined to prove the band could thrive without its frontman, and sessions began before anyone had been chosen to sing. An advertisement drew hundreds of hopefuls, yet the answer was already behind the drum kit: Phil Collins reluctantly tried Squonk, impressed everyone, and the job was his.\u003c\/p\u003e\u003cp\u003eThat song still hits like a landslide, a stomping tale of a mythical creature built with a nod to Led Zeppelin's heavier side. Dance on a Volcano opens the album in a blaze of shifting rhythms and Steve Hackett's guitar, while Ripples pairs Rutherford's twelve-string with a piano-led middle section from Banks and a soaring guitar-synth solo from Hackett. Los Endos closes with an instrumental surge that slips in a brief sung tribute to Gabriel.\u003c\/p\u003e\u003cp\u003eCritics praised the record's sound and the band's resilience, and it climbed to No. 3 in the UK. When this red pressing arrives, it will mark half a century of a band reborn.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57097785311537,"sku":"0827568014092","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Genesis-Trick_of_the_Tail_50th_Anniversary_Red.jpg?v=1793035135"},{"product_id":"uicideboy-stop-staring-at-the-shadows-purple-black-marble","title":"$uicideboy$ - Stop Staring at the Shadows [Purple \u0026 Black Marble]","description":"\u003cp\u003eFew rap duos make despair sound this magnetic, and Stop Staring at the Shadows finds $uicideboy$ at their most unguarded, coming soon on purple and black marble vinyl.\u003c\/p\u003e\u003cp\u003eReleased in 2020 on their own G59 Records, the project landed between I Want to Die in New Orleans and Long Term Effects of Suffering. Cousins Ruby da Cherry and Scrim have never sugar-coated their struggles with depression and addiction, and here those themes come through with unusual clarity, closer to confession than provocation. It is the sound of two artists trying to make sense of the wreckage while still standing in it.\u003c\/p\u003e\u003cp\u003eBuilt on trap drums and murky, Memphis-flavored atmosphere, the record swings between hushed melancholy and snarling aggression, from opener All Dogs Go to Heaven through I Wanna Be Romanticized and Putrid Pride. The closer, ...And to Those I Love, Thanks for Sticking Around, is the emotional centerpiece, produced by Scrim under his Budd Dwyer alias, and it went on to become one of the duo's most-streamed songs.\u003c\/p\u003e\u003cp\u003eFor a fanbase that treats these records as lifelines, this marbled pressing will be a striking way to hold onto one of their most honest releases once it arrives, and a handsome companion to the rest of the G59 shelf.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57097785639217,"sku":"199066058640","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/uicideboy-Stop_Staring_at_the_Shadows_Purple_Black_Marble.jpg?v=1792935328"},{"product_id":"miles-davis-relaxin-with-the-miles-davis-quintet-original-jazz-classics-series","title":"Miles Davis - Relaxin' With The Miles Davis Quintet (Original Jazz Classics Series)","description":"\u003cp\u003eRelaxin' With The Miles Davis Quintet catches one of jazz's greatest bands completely at ease, and this 180-gram Original Jazz Classics Series edition brings it back to the turntable.\u003c\/p\u003e\u003cp\u003eIn 1956 Miles still owed Prestige several albums before he could move to Columbia, so he took his working quintet into Rudy Van Gelder's studio and cut tune after tune as if playing a club set. Those two marathon sessions produced four classic records, and Relaxin', first issued in 1958, may be the most intimate of the lot. John Coltrane, Red Garland, Paul Chambers and Philly Joe Jones were already a telepathic unit.\u003c\/p\u003e\u003cp\u003e\"If I Were a Bell\" opens with a little studio chatter before Garland's chiming introduction and Miles' muted trumpet glide in, cool and conversational. \"Oleo\" moves at a brisk clip, with Coltrane's searching tenor pushing hard against the beat, while \"It Could Happen to You\" is all easy swing and crisp ensemble work.\u003c\/p\u003e\u003cp\u003eThe ballad \"You're My Everything\" shows why Miles was the master of space, letting one held note do the work of a whole paragraph.\u003c\/p\u003e\u003cp\u003eWith a band this locked in, six tracks feel like a complete night out. It is the kind of record that turns a living room into a smoky club, and it rewards every return visit.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57107583435057,"sku":"888072735668","price":42.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Miles_Davis-Relaxin_With_The_Miles_Davis_Quintet_Original_Jazz_Classics_Series.jpg?v=1792934453"},{"product_id":"bob-dylan-bob-dylan-at-budokan-2lp","title":"Bob Dylan - Bob Dylan at Budokan [2LP]","description":"\u003cp\u003eBob Dylan at Budokan is the most surprising live album in his catalogue, and this 2LP reissue is set to put those 1978 Tokyo shows back on the shelf.\u003c\/p\u003e\u003cp\u003eRecorded over two nights at the Nippon Budokan Hall during his 1978 world tour, it was first issued only in Japan, then released internationally once demand for imported copies became impossible to ignore. Producer Don DeVito captured a big, brassy touring band, many of whom had just played on Street-Legal, complete with saxophone, violin and a trio of backing singers.\u003c\/p\u003e\u003cp\u003eThe real thrill is hearing the classics turned inside out. \"Don't Think Twice, It's All Right\" becomes a lilting reggae shuffle, and staples such as \"Ballad of a Thin Man\" and \"Like a Rolling Stone\" arrive in big, brassy new arrangements. By the time \"Forever Young\" arrives near the end, the reinvention feels complete.\u003c\/p\u003e\u003cp\u003eCritics in the US were sniffy at the time, but the album still reached the upper end of the charts on both sides of the Atlantic and has since built a devoted cult following. Heard today, it plays as a fascinating snapshot of Dylan rewriting his own songbook in real time, with a band ready to follow him anywhere.\u003c\/p\u003e\u003cp\u003eFor collectors who like their Dylan unexpected, this one belongs right next to the Rolling Thunder recordings.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57107585237297,"sku":"198029984118","price":35.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Bob_Dylan-Bob_Dylan_at_Budokan_2LP.jpg?v=1792934472"},{"product_id":"miles-davis-amandla-rhino-reserve","title":"Miles Davis - Amandla (Rhino Reserve)","description":"\u003cp\u003eAmandla caps Miles Davis' late-1980s partnership with Marcus Miller in style, and this Rhino Reserve edition returns the 1989 album to the turntable.\u003c\/p\u003e\u003cp\u003eFollowing Tutu and the Siesta soundtrack, Amandla leaned further into the sound of his working band of the period, blending programmed grooves with live players such as alto saxophonist Kenny Garrett. The title is a Zulu and Xhosa word for power, a rallying cry of the anti-apartheid movement, and the record carries a warm, outward-looking sense of rhythm to match.\u003c\/p\u003e\u003cp\u003eOpener \"Catembe\" sets a bright, rhythm-first tone, and \"Big Time\" and \"Hannibal\" show how naturally Miles' muted trumpet sits over Miller's layered grooves, while \"Mr. Pastorius\" is a tender ballad tribute to the late bassist Jaco Pastorius that ranks among the loveliest things he recorded in his final years.\u003c\/p\u003e\u003cp\u003eMiller wrote and produced much of the album, and his gift for melody keeps the electronics feeling human. Miles, meanwhile, plays with the economy of a man who no longer needs to prove anything, every phrase placed with care.\u003c\/p\u003e\u003cp\u003eLong underrated next to his 1950s and 1960s landmarks, Amandla deserves a fresh hearing. It is the sound of an icon still chasing new ideas, and it sits beautifully alongside Tutu on any shelf.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57107590676785,"sku":"603497804436","price":35.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Miles_Davis-Amandla_Rhino_Reserve.jpg?v=1792934478"},{"product_id":"madonna-evita-the-complete-motion-picture-music-soundtrack-3lp-clear-red","title":"Madonna - Evita: The Complete Motion Picture Music Soundtrack [3LP Clear Red]","description":"\u003cp\u003eEvita gave Madonna the screen role she had chased for years, and this limited 3LP set on clear red vinyl is due to present the full 1996 soundtrack.\u003c\/p\u003e\u003cp\u003eAlan Parker's adaptation of the Andrew Lloyd Webber and Tim Rice musical cast Madonna as Eva Perón, with Antonio Banderas as the narrator Che and Jonathan Pryce as Juan Perón. Almost every line in the film is sung, so the soundtrack plays as the whole story, from Eva's rise out of poverty to her death at just 33.\u003c\/p\u003e\u003cp\u003e\"Don't Cry for Me Argentina\" is the obvious showstopper, delivered from the balcony with restraint and real ache, while \"Buenos Aires\" lets Madonna loose on a brassy, Latin-flavoured dance number. Banderas brings swagger and bite to \"Oh What a Circus\", turning the narrator into the sharpest voice in the room.\u003c\/p\u003e\u003cp\u003e\"You Must Love Me\", written especially for the film, gives Madonna a quiet, devastating moment near the end and went on to win the Academy Award for Best Original Song. Her vocal work throughout shows how seriously she took the part, with a richer, more controlled tone than on her pop records of the era.\u003c\/p\u003e\u003cp\u003eThirty years on, this remains one of the defining movie musicals of the 1990s, and a striking showcase for Madonna as an interpreter rather than a hitmaker.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57107593494833,"sku":"603497860623","price":69.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Madonna-Evita_The_Complete_Motion_Picture_Music_Soundtrack_3LP_Clear_Red.jpg?v=1793127733"},{"product_id":"nofx-wolves-in-wolves-clothing-yellow","title":"NOFX - Wolves in Wolves' Clothing [Yellow]","description":"\u003cp\u003eWolves in Wolves' Clothing is NOFX at their snottiest and sharpest, a 2006 blast of political punk pressed here on yellow vinyl.\u003c\/p\u003e\u003cp\u003eThe band's tenth studio album landed in the thick of the Bush years, and Fat Mike had plenty to get off his chest. Produced by Bill Stevenson, Jason Livermore and Fat Mike himself, it was their longest studio album to that point, though most of the songs still race past in under three minutes.\u003c\/p\u003e\u003cp\u003e\"Seeing Double at the Triple Rock\" is a hook-loaded love letter to a favourite punk bar, as catchy as anything in their catalogue. \"Leaving Jesusland\" aims its sarcasm squarely at the religious right, and \"Cantado en Español\" does exactly what the title promises, delivered at full tilt.\u003c\/p\u003e\u003cp\u003eThe playing is tight and melodic, with buzzsaw guitars and whiplash tempo changes, while the band's trademark sarcasm finds fresh targets at every turn. The title track keeps things short and gleefully unfriendly, done and dusted in under two minutes.\u003c\/p\u003e\u003cp\u003eTwo decades on, it holds up as one of the strongest records of the band's later years and a reminder that skate punk could still have teeth. On bright yellow wax, it makes a loud addition to any punk shelf.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57107607814449,"sku":"751097036112","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/NOFX-Wolves_in_Wolves_Clothing_Yellow.jpg?v=1792935228"},{"product_id":"phil-collins-testify-2lp","title":"Phil Collins - Testify [2LP]","description":"\u003cp\u003eTestify shows Phil Collins at his most personal and unguarded, and this 180-gram 2LP edition is set to bring his 2002 album back to vinyl.\u003c\/p\u003e\u003cp\u003eHis first solo studio album since 1996, it was co-produced with Rob Cavallo and shaped heavily by family life, with Collins drawing on his then-wife and young son for several of the songs. It is a low-key, reflective record that trades big-drum bombast for warm keyboards, gentle grooves and plenty of heart.\u003c\/p\u003e\u003cp\u003e\"Can't Stop Loving You\", a cover of the Billy Nicholls song first recorded by Leo Sayer, became the lead single and topped the US adult contemporary chart. The gospel-tinged title track lifts the mood, \"Wake Up Call\" opens the record, and \"Driving Me Crazy\" brings a more insistent rhythm to the second half.\u003c\/p\u003e\u003cp\u003eLongtime guitarist Daryl Stuermer and session ace Tim Pierce add tasteful colour on guitar, but the focus stays on Collins' voice and his knack for an unhurried, singalong melody. The lyrics wrestle with ageing and with the fine line between devotion and obsession.\u003c\/p\u003e\u003cp\u003eOften overlooked next to his 1980s blockbusters, Testify rewards listeners who prefer his softer side, and spreading it across four sides gives these quieter songs the space they deserve.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57107612827953,"sku":"603497803248","price":41.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Phil_Collins-Testify_2LP.jpg?v=1792934501"},{"product_id":"phil-collins-both-sides-2lp","title":"Phil Collins - Both Sides [2LP]","description":"\u003cp\u003eBoth Sides is the most intimate album Phil Collins ever made, and this 180-gram 2LP edition is due to give his 1993 record the space it needs.\u003c\/p\u003e\u003cp\u003eWritten during a turbulent stretch in his personal life, it was made almost entirely alone. Collins demoed the songs at home and finished the record at The Farm in Surrey without his usual producer, band or horn section, handling the instruments and production himself. The result feels less like a pop album than a private diary set to music.\u003c\/p\u003e\u003cp\u003eThe title track opens the set with a plea for empathy, examining conflict from both sides over a rolling, insistent beat, and it became a top ten hit in the UK. \"Everyday\" is a heartbroken ballad of quiet devotion, while \"We Wait and We Wonder\" builds into one of the most stirring arrangements of his solo career.\u003c\/p\u003e\u003cp\u003e\"Can't Turn Back the Years\" sums up the mood, a hushed, aching reflection on regret that lingers long after the needle lifts. Collins sings with real vulnerability here, his voice often close and unpolished.\u003c\/p\u003e\u003cp\u003eFor listeners who know him mainly through radio hits, this is the record that shows what sits underneath, and the double vinyl format lets its long, unhurried songs unfold at their natural pace.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57107612959025,"sku":"603497803231","price":41.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Phil_Collins-Both_Sides_2LP.jpg?v=1792934507"},{"product_id":"phil-collins-but-seriously-2lp","title":"Phil Collins - ...But Seriously [2LP]","description":"\u003cp\u003ePhil Collins turned his gaze outward on ...But Seriously in 1989, and this 180-gram 2LP edition is set to return his biggest UK album to the turntable.\u003c\/p\u003e\u003cp\u003eAfter the dance-pop sheen of No Jacket Required, Collins and co-producer Hugh Padgham aimed for weightier subjects, tackling homelessness, apartheid and the Troubles alongside songs about love and family. The gamble paid off spectacularly. It became the UK's best-selling album of 1990.\u003c\/p\u003e\u003cp\u003e\"Another Day in Paradise\", with David Crosby on backing vocals, turned a hard look at homelessness into a worldwide hit and won the Grammy for Record of the Year. \"I Wish It Would Rain Down\" brings in Eric Clapton for a gospel-flavoured guitar ballad, while \"Something Happened on the Way to Heaven\", originally written for the Four Tops, bursts with Phenix Horns brass.\u003c\/p\u003e\u003cp\u003eAt the other end of the scale sits \"Colours\", a sprawling, near nine-minute piece that shows his prog roots never fully went away. Steve Winwood, Leland Sklar and Pino Palladino also turn up in the credits, and the playing is immaculate from start to finish.\u003c\/p\u003e\u003cp\u003eSpread across four sides, the full album finally has room to breathe, and it stands as the peak of Collins' commercial powers with a conscience to match.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57107613024561,"sku":"603497803224","price":41.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Phil_Collins-...But_Seriously_2LP.jpg?v=1792934513"},{"product_id":"king-gizzard-and-the-lizard-wizard-infest-the-rats-nest-1","title":"King Gizzard and the Lizard Wizard - Infest The Rats' Nest","description":"\u003cp\u003eInfest The Rats' Nest is King Gizzard and the Lizard Wizard at full thrash-metal throttle, a 2019 blast of eco-doom that sent the Melbourne band's restless genre-hopping straight into the mosh pit.\u003c\/p\u003e\u003cp\u003eThe album was made by a stripped-back trio of Stu Mackenzie, Joey Walker and Michael Cavanagh, a deliberate break from the band's usual sprawl of guitars and drummers. Arriving the same year as the boogie-rock of Fishing for Fishies, it felt like a swerve even by Gizzard standards, and it opened a door to the heavier material they have kept returning to ever since.\u003c\/p\u003e\u003cp\u003eThe first half is a grim tour of a planet in collapse. Planet B lays out the premise over galloping riffs and relentless double kick, Mars for the Rich imagines the wealthy escaping to another world and leaving everyone else behind, and Superbug slows everything to a sludgy, menacing crawl. The second half heads into space for a tale of exile on Venus, with Self-Immolate tearing along at a breakneck pace.\u003c\/p\u003e\u003cp\u003eFor all its bleak subject matter, it is a riotous and surprisingly catchy listen, as much fun to shout along to as it is sobering on paper. For metal fans who have never touched one of the band's microtonal records, it is the easiest way into the Gizzverse.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57107615023409,"sku":"823375083757","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/King_Gizzard_and_the_Lizard_Wizard-Infest_The_Rats_Nest.jpg?v=1792934542"},{"product_id":"charli-xcx-sucker","title":"Charli XCX - Sucker","description":"\u003cp\u003eWith Sucker, Charli XCX swapped polite pop for punk attitude and buzzing guitars, and this 140 gram reissue brings her loudest, rowdiest record back to the turntable.\u003c\/p\u003e\u003cp\u003eReleased in 2014, her second studio album arrived riding the success of Boom Clap, the bright, swooning single from The Fault in Our Stars soundtrack that introduced her to a much wider audience. Rather than chase that sweetness for a whole record, Charli went snotty and fast, leaning into garage-rock riffs and shouted hooks with a cheerful disregard for good manners.\u003c\/p\u003e\u003cp\u003eThe title track Sucker opens the album with a gleeful sneer at anyone who ever doubted her, and it sets the tone for everything that follows. Break the Rules is a shout-along anthem for skipping class and staying out far too late, while Doing It, with Rita Ora, adds a glossy synth-pop strut. Boom Clap still sounds like pure, heart-on-sleeve joy, a reminder that she could write a classic chorus in her sleep.\u003c\/p\u003e\u003cp\u003eSucker sits at a fascinating crossroads in Charli's catalogue, the last full album before she swerved into the experimental work of Vroom Vroom and Pop 2. Hearing it now, the attitude that would define her later eras is already fully formed, and it is turned up very loud indeed.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57107615088945,"sku":"5026854927909","price":33.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Charli_XCX-Sucker.jpg?v=1792934548"},{"product_id":"charli-xcx-pop-2","title":"Charli XCX - Pop 2","description":"\u003cp\u003ePop 2 is the mixtape where Charli XCX stopped playing by major-label rules and pointed pop music somewhere far stranger, reissued on 140 gram vinyl.\u003c\/p\u003e\u003cp\u003eReleased in 2017, only months after Number 1 Angel, it was executive produced by A. G. Cook and built around warped Auto-Tune, metallic synths and melodies that splinter and reassemble mid-song. At the time it felt like a left turn from a pop star with hits to her name. In hindsight, it reads like a blueprint for the hyperpop wave that followed.\u003c\/p\u003e\u003cp\u003eThe guest list doubles as a who's who of pop's adventurous fringe, from Carly Rae Jepsen and Caroline Polachek to Kim Petras, Tove Lo and MØ. Backseat, with Jepsen, opens the tape on a glowing, wistful note, and Out of My Head brings in Tove Lo and ALMA for a sugar-rush singalong. Unlock It, with Kim Petras and Jay Park, later found a second life online, while Track 10 closes things with a sprawling, glitch-heavy finale that pulls the whole tape apart and stitches it back together.\u003c\/p\u003e\u003cp\u003ePop 2 laid the groundwork for how i'm feeling now and, eventually, brat. On vinyl it sounds as fearless as ever, proof that the future of pop was hiding in plain sight on a mixtape.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57107621478705,"sku":"5026854927961","price":33.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Charli_XCX-Pop_2.jpg?v=1792934566"},{"product_id":"greta-van-fleet-palace-for-the-people-2lp-smoke-marble","title":"Greta Van Fleet - Palace for the People [2LP Smoke Marble]","description":"\u003cp\u003eGreta Van Fleet open a new chapter with Palace for the People, presented as a limited smoke marble 2LP in a gatefold jacket with a booklet.\u003c\/p\u003e\u003cp\u003eReleased in 2026, the band's fourth studio album was co-produced with Mike Elizondo, whose credits run from Eminem to Fiona Apple and Turnstile, and recorded in Tennessee that spring. The band worked through unfinished demos alongside brand-new material, with no touring or press pulling them away. The title nods to London's Alexandra Palace, first conceived as a public gathering place known as the Palace of the People, and the idea of music as a shared refuge runs through the record.\u003c\/p\u003e\u003cp\u003eJake Kiszka has called it a rock and roll record at its core, but a very modern one, and that balance shapes everything here. Saw You Stand, the first single, is a big-hearted ballad built to showcase Josh's soaring voice, while Tear It Down followed as the next taste of the album. Into the Beginning opens the record and sets the scene for songs about humanity, connection and resilience.\u003c\/p\u003e\u003cp\u003eIt feels like the work of a band that has grown up without losing its sense of wonder. For fans who have followed them from Anthem of the Peaceful Army through Starcatcher, it is a confident next step.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57107633832241,"sku":"881061081364","price":57.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Greta_Van_Fleet-Palace_for_the_People_2LP_Smoke_Marble.jpg?v=1792935342"},{"product_id":"charli-xcx-number-1-angel","title":"Charli XCX - Number 1 Angel","description":"\u003cp\u003eCharli XCX's Number 1 Angel returns as a 140-gram reissue, putting the 2017 mixtape where her restless, club-wired pop really started to sprint back on the turntable.\u003c\/p\u003e\u003cp\u003eArriving months before Pop 2, the tape skipped the slow build of a traditional album campaign for something quicker and looser. Heard now, it plays like an early sketch of the hyperactive, guest-packed pop she would keep sharpening for years, with the rough edges left in on purpose.\u003c\/p\u003e\u003cp\u003eA. G. Cook handles much of the production, with SOPHIE, Easy FX, Danny L Harle and John Hill also at the controls. Opener \"Dreamer\" pairs Charli with Starrah and RAYE over a lazy, sun-drunk hook, while \"3AM (Pull Up)\" with MØ slides along on cool, late-night synths that feel built for the ride home.\u003c\/p\u003e\u003cp\u003eThe collaborators carry real weight here. Uffie floats through \"Babygirl\" and ABRA brings smoky calm to \"Drugs\", but it's CupcakKe who walks off with the closing \"Lipgloss\", trading lines with Charli in a giddy, filthy-minded rush. Tucked in the middle, \"ILY2\" proves she can write a plain old crush song with total sincerity.\u003c\/p\u003e\u003cp\u003eFor fans tracing the thread from this era to everything since, this single LP is a compact and very playable chapter, and a reminder of how much fun pop gets when nobody is playing it safe.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57107635732785,"sku":"5026854927930","price":33.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Charli_XCX-Number_1_Angel.jpg?v=1792934620"},{"product_id":"brooks-dunn-brand-new-man-35th-anniversary-edition-colored-vinyl","title":"Brooks \u0026 Dunn - Brand New Man (35th Anniversary) [Smokey Marble]","description":"\u003cp\u003eBrooks \u0026amp; Dunn's Brand New Man marks its 35th anniversary on colored vinyl, celebrating the 1991 debut that turned two solo hopefuls into one of the defining country duos of the decade.\u003c\/p\u003e\u003cp\u003eKix Brooks and Ronnie Dunn had each spent the 1980s chasing solo careers when Tim DuBois suggested they try working together. The pairing clicked immediately. The album sent four singles in a row to No. 1 on the country chart and went on to sell millions, kicking off a run that would dominate country radio for years.\u003c\/p\u003e\u003cp\u003eProducers Don Cook and Scott Hendricks kept the sound lean and honky-tonk sharp, all twangy guitars and those two contrasting voices. The title track struts with good-natured swagger, and \"Neon Moon\" is a barroom ballad soaked in late-night loneliness, with Dunn's voice doing the heavy lifting.\u003c\/p\u003e\u003cp\u003e\"My Next Broken Heart\" rides a sly, rolling groove, but \"Boot Scootin' Boogie\" is the one everybody knows, a dancefloor stomper that helped spark the line-dancing craze of the 1990s and still fills wedding receptions to this day.\u003c\/p\u003e\u003cp\u003eThirty-five years later, the record still sounds like a Friday night at the dancehall, boots scuffing the floor and a cold drink close at hand, and this anniversary edition gives it a fresh coat of color for the shelf.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57107637076273,"sku":"8719262044913","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Brooks_Dunn-Brand_New_Man_35th_Anniversary_Edition_Colored_Vinyl.jpg?v=1792935144"},{"product_id":"iron-maiden-somewhere-back-in-time-the-best-of-1980-1989-2lp","title":"Iron Maiden - Somewhere Back in Time: The Best of 1980-1989 [2LP]","description":"\u003cp\u003eIron Maiden's Somewhere Back in Time: The Best of 1980-1989 is heading to a double LP pressing, collecting 15 tracks from the decade that crowned the band heavy metal royalty.\u003c\/p\u003e\u003cp\u003eAssembled in 2008 to accompany the tour of the same name, the compilation zeroes in on Maiden's most mythologized era, from the street-level snarl of their early records to the grand, galloping ambition of Powerslave and Seventh Son of a Seventh Son.\u003c\/p\u003e\u003cp\u003eThe cornerstones are all accounted for. \"The Trooper\" charges in on that famous twin-guitar gallop, and \"Run to the Hills\" remains a thundering singalong. \"Hallowed Be Thy Name\" builds from doom-laden calm into one of the great epics in metal, with Bruce Dickinson at full operatic stretch.\u003c\/p\u003e\u003cp\u003e\"2 Minutes to Midnight\" and \"Wasted Years\" show off the band's knack for soaring melodic hooks, while \"Can I Play with Madness\" captures their late-decade polish. Live takes of \"Aces High\" and \"Wrathchild\" bottle the sheer force of Maiden on stage, with Churchill's wartime speech setting the scene.\u003c\/p\u003e\u003cp\u003eFor newcomers it will make a fine crash course, and for longtime fans it offers a well-paced ride through four sides of the songs that helped define a genre, sequenced to keep the adrenaline high from start to finish.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57107668304177,"sku":"4099964274929","price":41.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Iron_Maiden-Somewhere_Back_in_Time_The_Best_of_1980-1989_2LP.jpg?v=1792934690"},{"product_id":"the-black-keys-magic-potion-blue","title":"The Black Keys - Magic Potion [Blue]","description":"\u003cp\u003eMagic Potion was the record where The Black Keys stopped borrowing and started writing, and this limited blue pressing is due to mark twenty years since that turn.\u003c\/p\u003e\u003cp\u003eReleased in 2006 as the duo's first album for Nonesuch, it was still made the old way, in Patrick Carney's basement in Akron, Ohio, with Carney and Dan Auerbach producing themselves. What changed was the songbook. Their earlier records had mixed in blues covers, but every song here was their own, written by the two of them.\u003c\/p\u003e\u003cp\u003eThe sound is thick and greasy. Your Touch charges in with fuzz-drenched riffing over Carney's stomping kit, while You're the One slows to a soulful crawl that hints at the warmer records ahead. Strange Desire and the near six-minute Goodbye Babylon let Auerbach's guitar and lap steel stretch out, all grit and reverb, captured with a basement's lack of polish that works entirely in the songs' favour.\u003c\/p\u003e\u003cp\u003eIt sits neatly between the raw early albums and the bigger, brighter years that followed, and it remains the clearest snapshot of two friends from Akron finding a voice that was unmistakably theirs. 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Chatten has framed the album as a test chamber for mood-altering music, and its subjects fit that clinical premise: artificial intelligence, environmental collapse and political violence, all filtered through the static of memes and celebrity culture.\u003c\/p\u003e\u003cp\u003eSix Shot Morning, road-tested at summer shows before release, opens the record, and Marianne follows as the lead single, a song about escapism and hedonism that took its cue from the thriller Ripley. Tongue was picked as the second single, and Where Is Gone? brings in Rosalía, the first guest vocalist the band has ever featured, for a pairing few would have predicted.\u003c\/p\u003e\u003cp\u003eChatten has said he chose to leave hope out and reflect the ugliness honestly, and that refusal gives the album its charge. 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Reviews were mixed on the songwriting at the time, but the album found a devoted audience fast among rage fans and helped establish him as one of the movement's leading voices.\u003c\/p\u003e\u003cp\u003eMost of the production comes from Star Boy and Outtatown, whose blown-out synths and booming 808s give the record its hypnotic, overdriven glow. Rock N Roll and Run + Ran remain the fan favourites, the first a short burst of chaotic energy and the second stretching past four minutes as one of the album's longest moments. Hella and Till I Die keep the pace fierce, with Carson's clipped, melodic delivery riding the beats rather than fighting them.\u003c\/p\u003e\u003cp\u003eAt just over 27 minutes, it is short, loud and relentlessly focused, and the sound he sketched here is the one he would push to further extremes on later records. Listeners who found him through his more recent work will discover the template being drawn up here, and it still hits hard.\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":57107678232881,"sku":"199957578592","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/2026\/7313\/files\/Ken_Carson-Project_X_5th_Anniversary_Edition.jpg?v=1792934714"},{"product_id":"johnny-cash-hello-im-johnny-cash-blue-holland-import","title":"Johnny Cash - Hello, I'm Johnny Cash [Blue Holland Import]","description":"\u003cp\u003eHello, I'm Johnny Cash catches the Man in Black at a commercial high, here on limited 180-gram blue vinyl in a gatefold jacket, imported from Holland.\u003c\/p\u003e\u003cp\u003eBorrowing his famous stage greeting for its title, it was released in 1970, hot on the heels of the career-reviving prison albums, while his television show was turning him into a household name. Producer Bob Johnston kept the arrangements lean, and Cash used the space to mix his own songs with material from writers he admired, including Roy Orbison, Tim Hardin and a then little-known Kris Kristofferson.\u003c\/p\u003e\u003cp\u003eIf I Were a Carpenter, his duet with June Carter, turns Hardin's folk song into a warm conversation between husband and wife. See Ruby Fall, which Cash co-wrote with Orbison, and Blistered, a Billy Edd Wheeler number, were paired on a double A-side single that showed off both his tender and his playful sides. Kristofferson's To Beat the Devil gets one of the album's most intimate readings, Cash sounding weathered and patient as he leans into the story.\u003c\/p\u003e\u003cp\u003eIt is a confident, generous record from an artist clearly enjoying the moment, and it shows Cash as a sharp interpreter of other people's songs as well as a writer of his own. 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The new mix was overseen by current bassist Jeff Pilson and engineer Wyn Davis, and this 140-gram pressing is set to present the original ten-song running order in a new light.\u003c\/p\u003e\u003cp\u003eDirty White Boy kicks things off with a swaggering, gritty riff and Lou Gramm in full roar, and the title track remains one of their sharpest singles, a muscular hook wrapped around a tale of romantic mind games. Elsewhere, Women and Blinded by Science balance muscle with melody, and the interplay of Jones' guitars and the keyboards hints at the more polished sound that would define the band's next chapter and its biggest hits.\u003c\/p\u003e\u003cp\u003eHead Games has long been overshadowed by the records on either side of it, which makes it a strong candidate for this kind of rediscovery. 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The result is tighter and more melodic than anything they had made before, and it spun off four singles that made ELO a fixture on radio on both sides of the Atlantic.\u003c\/p\u003e\u003cp\u003eTelephone Line is the heart of it, a heartbroken ballad that opens with a synthesised ringing tone and carries a doo-wop sweetness straight out of the 50s. Livin' Thing bursts out of a swirl of violins into one of Lynne's catchiest choruses, and Rockaria! playfully drops an operatic soprano into a rock and roll stomp. Do Ya, a rerecording of a song Lynne first cut with The Move in 1972, adds a meaty riff for good measure.\u003c\/p\u003e\u003cp\u003eThis is the album that cemented ELO's identity for good, lush yet punchy and ambitious without ever turning stuffy. 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That makeshift setup suited the material: twitchy, paranoid songs, many with blunt one-word titles, sung by David Byrne as if the everyday world had become quietly threatening.\u003c\/p\u003e\u003cp\u003eI Zimbra opens with Afro-funk rhythms, Robert Fripp's guitar and nonsense lyrics adapted from a Dada poem by Hugo Ball, a preview of where Remain in Light would go next. Life During Wartime is a tense, danceable dispatch from an urban underground, while Cities and Heaven show both the nervous energy and the unexpected tenderness in Byrne's writing.\u003c\/p\u003e\u003cp\u003eThe rarities disc gathers alternate versions of several album tracks, an unfinished outtake and the 12-inch version of the opener, offering a rare look inside the sessions that shaped the record. 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It arrived at the height of Creed's popularity, and Scott Stapp's lyrics wrestle with faith, doubt and resilience on songs clearly built for arenas.\u003c\/p\u003e\u003cp\u003eMy Sacrifice is the anthem everyone knows, all chiming guitars and a chorus designed for thousands of voices, while One Last Breath slows into a brooding, emotional plea. Bullets, the opener and a live staple, hits hardest of all with some of Tremonti's heaviest riffing. The bonus side adds Riders on the Storm, the Doors cover Creed recorded with Robby Krieger, alongside two radio edits and a rare acoustic version of an album track.\u003c\/p\u003e\u003cp\u003eIt is a vivid reminder of how enormous post-grunge rock was at the turn of the century, and how carefully these songs were constructed for that moment. 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Strings and horns were added afterwards, largely without the band's input, and the record sank on release. For decades it sat awkwardly at the start of the Genesis story, more curiosity than cornerstone.\u003c\/p\u003e\u003cp\u003eThis edition shifts the balance. A new stereo mix by Stephen W. Tayler, approved by Banks, Gabriel and Rutherford, puts the band's playing first and lets the orchestration sit further back. In the Beginning and The Serpent show the young group's melodic instincts, with Banks's keyboards and Gabriel's already distinctive voice at the centre. The second disc works like a bonus EP, gathering four extra tracks, among them the early single A Winter's Tale and a previously unreleased early version of Visions of Angels.\u003c\/p\u003e\u003cp\u003eThat song would later resurface on Trespass, which makes this set a neat bridge between the pop apprentices of 1968 and the prog pioneers they became. 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She pitched it as a whimsical throwback, and that is exactly how it plays: eight seasonal standards and four originals, dressed in retro country, Western swing and a little tiki-bar warmth rather than sleigh bells by the truckload.\u003c\/p\u003e\u003cp\u003eThe originals are the real treats. A Willie Nice Christmas brings in Willie Nelson, and his guitar Trigger, for a sly, smoky duet, while Present Without a Bow pairs her with Leon Bridges on a slow, aching soul ballad about missing someone at Christmas. Christmas Makes Me Cry, co-written with Shane McAnally and Brandy Clark, is the quiet heart of the record, all wry honesty and tears behind the tinsel. The Quebe Sisters add close fiddle-band harmonies to Mele Kalikimaka, a breezy detour to the islands.\u003c\/p\u003e\u003cp\u003eA decade on, it sits comfortably beside the vintage holiday records it borrows from, warm and funny in equal measure. 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Adams produced the record and had his band play in the room around Nelson with minimal amplification, aiming for something loose and live rather than glossy Nashville polish. The result sits among the more adventurous albums of Nelson's later career, mixing a handful of his own songs with covers that reach well beyond country.\u003c\/p\u003e\u003cp\u003eThe title track reworks Christine McVie's Fleetwood Mac ballad with a hushed, tender touch, while the Grateful Dead's Stella Blue stretches out into a slow, late-night meditation. Leonard Cohen's Hallelujah gets a weathered, unhurried reading that leans on every crack in that famous voice. Rainy Day Blues, one of Nelson's own songs, opens the album with a relaxed, rolling groove that sets the tone for everything after it.\u003c\/p\u003e\u003cp\u003eTwenty years on, Songbird still sounds like a curious and generous experiment from an artist who never stopped saying yes to new ideas, and The Cardinals bring a ragged warmth that suits him well. 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These tracks come from that formative stretch, and you can already hear the relaxed, conversational phrasing that would become his trademark, even as the records of the day pushed him toward a more conventional sound.\u003c\/p\u003e\u003cp\u003eThe songs are classic heartbreak material. A Moment Isn't Very Long and Let's Pretend We're Strangers trade in quiet, aching resignation, while Pride Wins Again and Any Old Arms Won't Do show how neatly he could turn a phrase around a broken romance. The performances are short and direct, compact country sides that say what they need to and get out of the way.\u003c\/p\u003e\u003cp\u003eListeners who know Nelson mainly through Red Headed Stranger or Stardust will find this single LP a revealing look at the songwriter taking shape, before the braids and the bandana. 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This set gathers those B-sides and bonus songs on vinyl for the first time, pairing studio odds and ends with live recordings from the band's European dates.\u003c\/p\u003e\u003cp\u003eThe first side is the real draw for completists. Paradise Bar and Simple Folk are non-album songs from the period, worth hearing in their own right, while a first take of Time for Bedlam catches the brooding single before it was finished. Hip Boots turns up as a loose rehearsal recorded by Ian Paice himself, an unvarnished glimpse of five veterans working out a groove together.\u003c\/p\u003e\u003cp\u003eThe remaining sides move to the stage, where early-1970s staples sit alongside a more recent favourite, played with the easy authority of a band that has been doing this for more than half a century. 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Ben Webster's breathy tenor saxophone, Harry Edison's trumpet, Barney Kessel's guitar and Jimmy Rowles' piano surround her with sympathetic, conversational playing that never crowds the singer.\u003c\/p\u003e\u003cp\u003eThe title track opens the record at a slow burn, with Webster's sax curling around every line. They Can't Take That Away From Me and Let's Call the Whole Thing Off show her lighter, swinging side with a pair of Gershwin favourites, while Embraceable You stretches out into one of the album's most tender moments, her phrasing hanging just behind the beat.\u003c\/p\u003e\u003cp\u003eHer singing here is about weight and timing rather than range, and that is exactly the appeal: a great interpreter making every word count. 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Nicolas Godin and Jean-Benoît Dunckel swapped that record's sunny lounge-pop for something hazier and more haunted, drawing on 1970s rock, film music and analogue synths to match the film's dreamy, sun-faded suburban melancholy. The Redux edition revisits it for the album's 25th anniversary.\u003c\/p\u003e\u003cp\u003ePlayground Love is the standout, a slow-dance ballad sung by Thomas Mars of Phoenix under the alias Gordon Tracks, all sleepy saxophone and soft-focus longing. Highschool Lover replays that melody in a gentler instrumental form, while Bathroom Girl and Dead Bodies lean into the score's darker, more unsettling side, with eerie keys and slow-building tension.\u003c\/p\u003e\u003cp\u003eThe album long ago outgrew its film to become a cult favourite in its own right, a go-to soundtrack for late nights and grey, rainy afternoons, and it still sounds like nothing else in the duo's catalogue. 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Simon Le Bon called it disco for the 2020s, and the band then went looking for contemporary remixers to push it further, resulting in their first remix album released on vinyl.\u003c\/p\u003e\u003cp\u003eEach version takes the song somewhere new. Free To Love (Horse Meat Disco Remix) comes from the London collective known for keeping classic disco alive, while ALISSIA, Harrison and DJ White Shadow each pull the groove in their own direction, and Free To Love (Trixie Mattel Remix) brings the drag star's own pop sensibility to the mix. The band also contribute two versions of their own, Love Overture and Across the Galaxy, which appear only on the physical formats.\u003c\/p\u003e\u003cp\u003eIt is a light, celebratory record that treats one song as a starting point rather than a finished product, and it plays well as a continuous party set. 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It catches King deep into his elder-statesman era, a bandleader with nothing left to prove and every reason to enjoy himself on one of the world's great stages.\u003c\/p\u003e\u003cp\u003eThe Thrill Is Gone, from a 1990 show, remains the emotional centrepiece, Lucille's stinging notes hanging over that slow minor groove. Rock Me Baby and Caldonia show the showman side, swinging hard with the horns and the crowd, while Stormy Monday, captured in 1995, gives him room to stretch out and talk to the audience through his guitar as much as his voice.\u003c\/p\u003e\u003cp\u003eAcross two records, the performances flow like one long, generous evening, moving from swaggering shuffles to late-night blues without a wasted moment. 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